Jesse Darling (1981) is a British artist working in sculpture, installation, video, drawing, text, sound and performance. She live and work in Berlin. Jesse Darling has received commissions from MoMA Warsaw, The Serpentine Gallery and Volksbuhne Berlin among others.
Her work is broadly concerned with what it means to be a body in the world, though what that means is both politically charged and culturally determined. Their practice draws on their own experience as well as the narratives of history and counterhistory. To be a body is to be inherently vulnerable, which extends to the “mortal” quality of empires and ideas as a form of precarious optimism - nothing and none is too big to fail, and this for JD is the starting point for a practice in which fallibility and fungibility are acknowledged as fundamental qualities in living beings, societies and technologies. Imagining the ‘high church of the modern’ as a moveable or precarious tabernacle, JD’s works and writing feature an array of free-floating consumer goods, liturgical devices, construction materials, fictional characters and mythical symbols detached from the architectures, hierarchies and taxonomies in which they have their place.
© 2021. All content on this blog is protected by international copyright laws All images are copyrighted © by Jesse Darling. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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Ms. Jesse Darling |
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Bucephalus: Comanche (War Horse), 2016 |
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Liberty Poles, 2016 |
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March of the Valedictorians, 2016 |
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No Ordinary Love, 2016 |
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The Great Near, 2016 |
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Ass Priest, 2017 |
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Collapsed Cane, 2017 |
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Comfort Station, 2017 |
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Untitled (waiting room poster-municipal hospital series), 2017 |
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A Fine Line in ‘Cellular World,‘ 2018 |
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Our lady Batman of the empty center (temporary relief), 2018 |
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Sphinxes of the gate (Pet sentry), 2018 |
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Support Level, 2018 |
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The lion signs “wound”, 2018 |
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Crevé, 2019 |
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May You Live in Interesting Times, 58th International Art Exhibition, La Biennale di Venezia, 2019 detail |
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May You Live in Interesting Times, 58th International Art Exhibition, La Biennale di Venezia, 2019 |
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Selva Oscura, 2019 |
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Transcorporealities, 2019 |
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A Fine Line, 2020 |
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A Fine Line, 2020 |
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Gravity Road, 2020 |
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Gravity Road, 2020 |
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