Liu Xiaodong (1963) is a contemporary Chinese artist born in the small industrial village of Jincheng, a pulp and paper-producing center on the outskirts of Jinzhou in Liaoning province. At age 17 he moved to Beijing to study art at the Central Academy of Fine Arts. He received a Bachelor of Fine Arts in oil painting in 1988, and a Master of Fine Arts in oil painting in 1995, both from CAFA. In 1998–99 he continued his studies overseas at the Academy of Fine Arts at the Complutense University of Madrid in Spain. He now holds tenure as a professor in the painting department at CAFA.
Liu Xiaodong is a painter of modern life, whose large-scale works serve as a kind of history painting for the emerging world. Liu locates the human dimension to such global issues as population displacement, environmental crisis and economic upheaval, but through carefully orchestrated compositions, he walks the line between artifice and reality. A leading figure among the Chinese Neo-Realist painters to emerge in the 1990s, his adherence to figurative painting amounts to a conceptual stance within a contemporary art context where photographic media dominate. His undertaking ‘to see people as they really are’ was galvanised in the aftermath of 1989 events and, alert to the legacy of Chinese Socialist Realism, his compositions are painted with loose, casual brushstrokes and layered with meaning. While he works from life and often en plein air, he chooses sitters to supply ancillary narratives to landscapes or situations. From recent location-specific series, such as Transgender/Gay in Berlin, featuring portraits of the transgender woman Sasha Maria which were featured in Liu's first comprehensive retrospective 'Slow Homecoming' in Düsseldorf, to his London series Half Street (2013), as well as The Hotan Project (2012-13) in the Xinjiang province of China, Liu has also created an automated painting machine entitled Weight of Insomnia (2016), which translates a digital video feed of traffic streams and human movement in real time into a new body of paintings tracing time, memory and behaviour.
Liu Xiaodong lives and works in Beijing but has undertaken projects in Tibet, Japan, Italy, the UK, Cuba and Austria, and closer to home, in Jincheng, in the north-eastern province of Liaoning, China, where he was born in 1963.
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| Liu Xiaodong |
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Boundary River, 2019
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| A Mexican family, the Martinez, 2019 |
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| Xiaojun and Xiuling, 2015 |
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| Spray, 2015 |
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| Skeleton Building, 2015 |
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| Painted Picture of Diary of An Empty City Nº 3, 2015 |
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| Painted Picture of Diary of An Empty City Nº 2, 2015 |
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| Painted Picture of Diary of An Empty City Nº 1, 2015 |
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| Donkey, 2015 |
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| Dog Skull, 2015 |
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| Diary of An Empty City 03, 2015 |
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| Chinatown II, 2015 |
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| Blue 17, 2015 |
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| Blue 12, 2015 |
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| Blue 11, 2015 |
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My Hometown, 2014
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| 2013 |
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| West, 2011 |
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| Xuzi at Home, 2010 |
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| Out of Beichuan, 2010 |
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| Into Taihu, 2010 |
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| Incheng Airport, 2010 |
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| Bent Rib, 2010 |
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| The Nude Black Maya, 2009 |
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Grain Rain, 2008
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| Boys in the bathhouse Nº 5, 2000 |
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Sons, 1995
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| Study of Two Nudes, 1993 |
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| Self-Portrait, 1983–2008 |
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| Self Portrait, 2010 |
Thank you for introducing this artist! Do you know of Hung Liu? She passed away recently. Another exceptional Chinese artist.
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