Artist of the day: Artist of the Day, December 12, 2022: John Collier, a British painter and writer (#1723)

Monday, December 12, 2022

Artist of the Day, December 12, 2022: John Collier, a British painter and writer (#1723)

The Honorable John Maler Collier OBE ROI RP (1850 –1934) was a British painter and writer. He painted in the Pre-Raphaelite style, and was one of the most prominent portrait painters of his generation. Both of his marriages were to daughters of Thomas Henry Huxley. He was educated at Eton College, and he studied painting in Paris with Jean-Paul Laurens and at the Munich Academy starting in 1875.

Collier was from a talented and successful family. His grandfather, John Collier, was a Quaker merchant who became a member of parliament. His father, Robert, (who was a member of parliament, Attorney General and, for many years, a full-time judge of the Privy Council) was created the first Lord Monkswell. He was also a member of the Royal Society of British Artists. John Collier's elder brother, the second Lord Monkswell, was Under-Secretary of State for War and Chairman of the London County Council.

In due course, Collier became an integral part of the family of Thomas Henry Huxley PC, President of the Royal Society from 1883 to 1885. Collier married two of Huxley's daughters and was "on terms of intimate friendship" with his son, the writer Leonard Huxley. Collier's first wife, in 1879, was Marian Huxley (Mady). She was a painter who studied, like her husband, at the Slade and exhibited at the Royal Academy and elsewhere. After the birth of their only child—a daughter, Joyce—she suffered severe post-natal depression and was taken to Paris for treatment where, however, she contracted pneumonia and died in 1887. Joyce became a portrait miniaturist and was a member of the Royal Society of Miniature Painters.

In 1889 Collier married Mady's younger sister Ethel Huxley. Until the Deceased Wife's Sister's Marriage Act 1907 such a marriage was not possible in England, so the ceremony took place in Norway. By his second wife he had a daughter and a son, Sir Laurence Collier, who was the British Ambassador to Norway 1941–1951.

His commissioned portrait of the Duke of York (later George V) as Master of Trinity House in 1901, and the Prince of Wales (later Edward VIII) were his major royal portraits. The latter work was hung in Durbar Hall, Jodhpur, Rajputana.

A photocopy of John Collier's Sitters Book (made in 1962 from the original in the possession of the artist's son) can be consulted in the Heinz Archive and Library, National Portrait Gallery.[5] This is the artist's own handwritten record of all his portraits, including name of subject, date, fee charged, and details of any major exhibitions of the picture in question.

Collier entry in the Dictionary of National Biography (volume for 1931–40, published 1949) compares his work to that of Frank Holl because of its solemnity. This is only true, however, of his many portraits of distinguished old men – his portraits of younger men, women and children, and his so-called "problem pictures", covering scenes of ordinary life, are often very bright and fresh.

His entry in the Dictionary of Art (1996 vol 7, p569), by Geoffrey Ashton, refers to the invisibility of his brush strokes as a "rather unexciting and flat use of paint" but contrasts that with "Collier's strong and surprising sense of colour" which "created a disconcerting verisimilitude in both mood and appearance".

Sixteen of John Collier's paintings are now in the collections of the National Portrait Gallery in London, and two are in the Tate Gallery. Four of the National Portrait Gallery paintings were in December 1997 on display: John Burns, Sir William Huggins, Thomas Huxley (the artist's father in law) and Charles Darwin.

A 1907 self-portrait has been preserved in the Uffizi in Florence which presumably commissioned it as part of its celebrated collection of artists’ self-portraits.

Collier's views on religion and ethics are interesting for their comparison with the views of Thomas and Julian Huxley, both of whom gave Romanes lectures on that subject. Collier explains
"It [the book The Religion of an Artist] is mostly concerned with ethics apart from religion ... I am looking forward to a time when ethics will have taken the place of religion ... My religion is really negative. [The benefits of religion] can be attained by other means which are less conducive to strife and which put less strain on upon the reasoning faculties.":

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