Dora Kallmus (1881 – 1963), also known as Madame D'Ora or Madame d'Ora, was an Austrian fashion and portrait photographer. She was born in Vienna, Austria, to a Jewish family. Her father was a lawyer.Her sister, Anna, was born in 1878 and deported in 1941 during the Holocaust. Although her mother, Malvine (née Sonnenberg), died when she was young, her family remained an important source of emotional and financial support throughout her career.
She and her sister, Anna, were both "well-educated," spoke English and French, and played the piano. They had also traveled throughout Europe.
She became interested in the photography field while assisting the son of the painter Hans Makart, and in 1905 she was the first woman to be admitted to theory courses at the Graphische Lehr- und Versuchsanstalt (Graphic Training Institute). That same year she became a member of the Association of Austrian photographers. At that time she was also the first woman allowed to study theory at the Graphischen Lehr- und Versuchsanstalt, which in 1908 granted women access to other courses in photography.
In 1907, she established her own studio with Arthur Benda in Vienna called the Atelier d’Ora or Madame D'Ora-Benda. The name was based on the pseudonym "Madame d'Ora", which she used professionally. D'ora and Benda operated a summer studio from 1921 to 1926 in Karlsbad, Germany, and opened another gallery in Paris in 1925. The Karlsbad gallery allowed D'Ora to cater to the "international elite vacationers." These same clients later convinced her to open her Paris studio.
Between 1917 and 1927, D'Ora's studio "produced" photographs for Ludwig Zwieback & Bruder, a Viennese department store.
She was represented by Schostal Photo Agency (Agentur Schostal) and it was her intervention that saved the agency's owner after his arrest by the Nazis, enabling him to flee to Paris from Vienna.
Her subjects included Josephine Baker, Coco Chanel, Tamara de Lempicka, Alban Berg, Maurice Chevalier, Colette, and other dancers, actors, painters, and writers.
Personal life
In 1919, D’Ora converted from Judaism to Roman Catholicism. She died on 28 October 1963. Four years prior, she had sustained injuries after being hit by a motorcycle in Paris, resulting in her returning to Vienna. D'ora lived her final years and passed in the same house that had been forcibly sold under the Nazis before being returned to her family.
© 2023. All content on this blog is protected by international copyright laws All images are copyrighted © by Dora Kallmus or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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Madame D'Ora Self-portrait, circa 1929 |
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Gustav Klimt, circa 1907 |
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Alban Berg, circa 1909 |
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Helene Jamrich with a hat from Zwieback, designed by Rudolf Krieser, circa 1909 |
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ileva Roller, circa 1910
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The Zwieback Fashion House, circa 1913 |
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Countess von Haugwitz-Széchényi, Countess Khevenhüller-Fürstenberg and Countess Marie Choloniewska serving in the Red Cross during the First World War, circa 1914 |
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Archduke Karl and Archduchess Zita with their children Otto and Adelheid, circa 1915 |
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Arthur Schnitzler, circa 1915 |
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Tina Blau, circa 1915 |
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Actress Grete Jacobson in a house dress from the Wiener Werkstätte, circa 1917 |
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Wiener Werkstatte Swimsuit, circa 1917 |
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Anita Berber, circa 1920 |
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Actress and dancer Elsie Altmann-Loos, circa 1922 Photostudio Setzer-Tschiedel, Vienna |
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Anita Berber & Sebastian Droste. Dances of Vice, Horror, and Ecstasy,, circa 1922 Berlin |
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Anita Berber und Sebastian Droste (aka 'Suicide'), circa 1922 |
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Coco Chanel, circa1923 |
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Andrée Lafayette, circa 1928 |
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Painter Tsuguharu Foujita, circa 1926 |
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Maurice Chevalier, circa 1927 |
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Josephine Baker, circa 1928 |
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The Dolly Sisters, circa 1928
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The Dolly Sisters, circa 1928–29 |
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Princesse Leila Bederkhan, Danseuse Kourde, circa 1930 |
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Tamara de Lempicka with a hat of Rose Descat, circa 1933 |
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Madame Agnès with a hat made of velvet with transparent brim, circa 1936 |
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In a refugee camp (Salzburg ), circa 1948 |
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Elizabeth Strong Cuevas in a costume by Pierre Balmain for her father’s party, circa 1953 |
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Colette, circa 1954 |
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The Marquis de Cuevas with dancer Vladimir Skouratoff, circa 1954-55 |
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Severed cow's legs in a Parisian abattoir, circa 1954-57
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Dancer Rosella Hightower of the Cuevas Ballet in costume, circa 1955 |
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Pablo Picasso, circa 1955
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