Ewald Wilhelm Hubert Mataré (1887 – 1965) was a German painter and sculptor, who dealt with, among other things, the figures of men and animals in a stylized form.
Mataré began his instruction as an artist at the Prussian Academy of Arts in Berlin in 1907. He was a student of Prof. Julius Ehrentraut, Lovis Corinth, and History painter Arthur Kampf. In 1918, he joined the November Group. Mataré first dedicated himself to sculpture after finishing his painting studies. A great part of his sculpted work are of animal figures.
In 1932 he received a professorship at the Kunstakademie Düsseldorf. After the Machtergreifung of 1933 however, all cultural and artistic life in Germany was brought into ideological alignment by the Nazis; Mataré was denounced as "degenerate" and expelled from his position. One of his sculptures "Die Katze" (The cat) was placed into the exhibition of shame and derision "Entartete Kunst" (Degenerate Art) staged by the Nazis in Munich, 1937. Church commissions became his sole source of income.
After the war, Mataré was asked to become the director of the Kunstakademie Düsseldorf, but he quickly resigned, because he felt there were still too many professors at the Akademie who had been actively teaching there during the Third Reich. Furthermore, no one was interested in his ambitious reform plans, which would have allowed fourteen-year-olds to study at the Akademie. However he was active at the Academy – albeit in an off-site studio – for long enough to teach artists like Günter Haese, Erwin Heerich, Georg Meistermann, Hannes Rosenow, and, most famously, Joseph Beuys. During the post-war era, Mataré took many commissions from the public sector; he also worked on many churches, e.g. he built four doors for the south portal of the Cologne Cathedral.
Matare's work varies from the simplicity of his animal forms in which he explores shape and line, to the profound spirituality of his religious works. A 2006 exhibition of his work in Salzburg, Austria, demonstrated the heights which his work could achieve.
© 2024. All content on this blog is protected by international copyright laws All images are copyrighted © by Ewald Mataré or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
 |
| Ewald Mataré |
%201951.jpg) |
| Double Chicken (Doppelhuhn), circa 1951 |
 |
| Schüssel mit reitendem Bogenschützen, circa 1950 |
 |
| Hahn, circa 1948-49 |
 |
| Zeichen einer Kuh, circa 1948 |
 |
| Rundmedallion mit Hahn II, circa 1948 |
 |
| Eingekauertes Rind II, circa 1947 |
 |
| Zeichen eines Steppenrindes, circa 1946 |
 |
| Zeichen einer Kuh I, circa 1946 |
 |
| Mathematik-Kuh II, circa 1946 |
 |
| Liegende Kuh, circa 1945 |
 |
| Pfeifenschale, circa 1944-45 |
 |
| Chinesisches Pferd, circa 1943 |
%20ca%201936.jpg) |
| Stehende Kuh (Maulwurfskuh), circa 1936 |
 |
| Porzellankuh, circa 1936 |
 |
| Maulwurfskuh", circa 1936 |
 |
| Kleine liegende Kuh II Porzellankuh, circa 1936 |
 |
| Steinbock, circa 1935 |
 |
| Steinbock, circa 1935 |
 |
| ToterKrieger, circa 1934 |
 |
| Liegende Kuh, circa 1932 |
 |
| Grosse liegende Kuh, circa 1930 |
 |
| Grazing cow II, circa 1930 |
,%201930%20.jpg) |
Grazing cow 1, circa 1930
|
 |
| Finnisches Pferd, circa 1929-30 |
 |
| Kleine liegende Kuh, circa 1929 |
 |
| Finnisches Rind, circa 1929 |
 |
| Four Red Cows, circa 1925 |
 |
| Stehende Kuh "Windkuh", circa 1923 |
,%201922.jpg) |
| Female head (Hanna H), circa 1922 |
 |
| Owl-form door handle |
 |
| Angel at the Bishop's apartments of the Diocese of Essen |
%201951.jpg)
%20ca%201936.jpg)
,%201930%20.jpg)
,%201922.jpg)
