Anatoly Kryvolap (1946) was born in Ukraine. He spent most of his life in the capital, but in 2000, he went back to his native land, settled in Zasupoyivka village and set up a studio there. Though Kryvolap got a classical professional education at the Kyiv State Art Institute, his way in art was paved with his own ideas of colours and tints.
After his graduation, Anatoly retired from public life for as long as 15 years. He utterly rejected the then-dominating socialist realism and spent all these years searching for his own place in art. For all this time Kryvolap was cordially supported by his close friend and, later, the owner of one of the largest collection of his artworks, the Polish doctor Richard Wroblewski whom he had met in 1978.
The National Art Exhibition arranged Tomark the 45th anniversary of the Victory, which was held in Kiev in 1990, turned out to be a landmark event in Kryvolap`s professional career. The organizers put his Crimson Heights into a most inconspicuous place claiming it to be too bright and dramatic. Nevertheless, it drew considerable public attention, hence Kryvolap’s extraordinary talent was uncovered and revealed to the professional community.
In 1992 painter Kryvolap together with his peers established a professional group Zhyvopysnyi Zapovidnyk, which formally existed only until 1995, but whose influence on Ukrainian contemporary art lasted for decades.During the next twenty years, Kryvolap gained a reputation as an eminent artist, well-known both in Ukraine and abroad. His paintings can now be found in art museums and in private collections all around the world.
Colour tints are neurons creating vibes. A painter senses through colours and reacts with colours. First you get some impressions just when squeezing a tube of paint, then, mixing the colours gives you some stains, that change the emotional spectrum. Once you put the initial feeling on canvas, it brings about something else, something deeper, bigger and vaster. For a painter, the most important thing is to capture, retain and render the feeling as precisely as possible.
I have worked in many studious during my life. However, I spent most of my time in the boiler room of a dwelling house in the Nyvki district in Kyiv. Over the last fifteen years I have been working in the attic in my cottage in Zasupoyivka village, and my downtown studio is located on Andriyivsky Uzviz, Kyiv’s art and culture hub. I never mix imagination and reality. My studio is my temple reared for creative work.
I’ve had dozens solo and group exhibitions abroad, sold lots of paintings to international collectors, but I can only live in Ukraine and draw Ukraine.
The most important thing in life is to find harmony with self and stay balanced, both in private life and professional field. You can be a monk or a beggar having no possessions, but live in harmony with yourself. Or you can be rich and prosperous, but feel frustrated, depressed and torn apart by inner conflicts.
© 2024. All content on this blog is protected by international copyright laws All images are copyrighted © by Anatoly Kryvolap or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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Anatoly Kryvolap |
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Anatoly at work
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Untitled, 1992 |
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Kaniv Precipices, 2000 |
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Shoreline, Kaniv, 2001 |
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Untitled, 2004 |
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Untitled, 2005 |
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Dock in morning fog, 2007 |
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Untitled, 2007 |
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Wharf in the Morning Mist, 2007 |
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Evening. Steppe, 2008 |
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Untitled, 2008 |
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Winter. Fog, 2008 |
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Snow, 2008-09 |
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Evening, 2009 |
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Spring Earth, 2009 |
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Road to Uzhhorod, 2010 |
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Untitled, 2010 |
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Untitled, 2010 |
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Babak’s Mountain, 2011 |
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By the Lake, 2011 |
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Evening Comes, 2011 |
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First Snow, 2011 |
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Untitled, 2011 |
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Autumn on the Dnipro River, 2012 |
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Evening Mirage, 2012 |
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Lake. Morning, 2012 |
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Untitled, 2012 |
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Untitled, 2012 |
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Winter Mirage, 2012 |
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Twilight. Lake, 2013 |
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Untitled, 2013 |
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Evening Specter, 2014 |
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Untitled, 2014 |
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Winter, 2014 |
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