Monday, March 31, 2025

Artist of the Day, March 31, 2025: Louis Marcoussis, a Polish-born French painter - cubism (#2246)

Louis Marcoussis (born Ludwik Kazimierz Wladyslaw Markus) (1878 – 1941) was a Polish-French avant-garde painter active primarily in Paris. Markus studied law in Warsaw before attending the Kraków Academy of Fine Arts, and later moved to Paris to study under Jules Lefebvre at the Académie Julian. His work was first featured in a major exhibition at the Salon d'Automne in 1905. In Paris, he became acquainted with prominent artists of the School of Paris and writers in the cafes of Montmartre and Montparnasse.

Guillaume Apollinaire, an artist and poet of Polish descent active in the Parisian avant-garde circles, suggested his French name, Marcoussis, named after a village near Paris. Marcoussis's early paintings were influenced by Impressionism, but he later became a part of the Cubist movement around 1911. He exhibited his works across Europe and the United States and held his first solo exhibition in Paris in 1925.

Starting around 1930, Marcoussis focused more on printmaking and illustration, inspired by works of poets like Apollinaire and Éluard. During the late 1930s, he collaborated with Spanish surrealist Joan Miró, teaching him etching techniques which resulted in Miró’s renowned Black and Red Series. During the Nazi occupation of Paris in 1940, Marcoussis and his wife Alice moved to Cusset near Vichy.

He was born in Łódź, Poland. After studying law briefly in Warsaw he went to the Kraków Academy of Fine Arts, where his teachers included Jan Stanislawski and Jozev Mehoffer. Moving to Paris in 1903, he spent a short time at the Académie Julian under Jules Lefebvre. The first time a painting of his was shown in a major exhibition was at the Salon d'Automne in 1905, and over the next quarter-century his work was shown in many other important exhibitions, in particular at the Salon des Indépendants and the Salon des Tuileries.

He drew cartoons for satirical journals, as he had earlier in Poland. In Paris he needed to earn his own living, and also took on other drawing and illustration work. In the cafés of Montmartre and Montparnasse he got to know Apollinaire, Braque, Degas, Picasso and many more artists and writers. It was Apollinaire who suggested Markus' French name, Marcoussis, after a village not far from Paris.

Impressionism influenced his early paintings, but from about 1911 he was part of the Cubist movement alongside other avant-garde painters like Picasso, Braque, Juan Gris and those of the Section d'Or. His work was shown in exhibitions in many European cities and in the US. In 1925 he had his first solo exhibition in Paris. As well as painting still lifes and musical instruments in the Cubist manner, he also produced portraits, views of Paris, and images from the Breton seaside.

In 1913 he had married Alice Halicka, a painter who came from Kraków. Their daughter Malène was born in 1922. Marcoussis served in a Polish company of the French Foreign Legion from 1914 to 1919. He became a French citizen, while also staying in touch with Poland, both personally and professionally. He did not generally talk about his Jewish ancestry, and his family had converted to Catholicism, but today Marcoussis is often described as a Jewish artist. In 1926, he participated, along with Halicka, in Katherine Dreier's expansive Société Anonyme exhibition organized at the Brooklyn Museum.

From 1930 onwards, much as his friend Clément Serveau, he concentrated on printmaking and illustration, including work inspired by Apollinaire's Alcool, Tzara's Indicateur des chemins de cœur, and Éluard's Lingères légères and Aurélia. In the late 1930s Marcoussis collaborated with Spanish surrealist Joan Miró and taught him etching techniques, culminating in Miró's Black and Red Series, now in the collection of the Museum of Modern Art.

After Nazi troops arrived in Paris in 1940, Marcoussis and Alice moved to Cusset near Vichy.

 © 2025. All content on this blog is protected by international copyright laws All images are copyrighted © by Louis Marcoussis or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes onl


Louis Marcoussis
Poire verte et couteau, circa 1941
Composition au coquillage, circa 1940
Bees, circa 1940
Composition au visage et au coquillage, circa 1939
The Large Fly, circa 1937
 Un Reve (A Dream) circa 1930
Figures and Marine Anchor, circa 1930
 Untitled, Still Life, circa 1929
Two Poets, circa 1929
Still LIfe in front of the Balcony,  circa 1929
Musician in an Interior, circa 1929
Breton Bread, Two Fish, Spoon, circa 1929
Still LIfe with Fish, circa 1928
Concert, circa 1928
Kerity Landscape, circa 1927
A Slice of Watermelon, circa 1927
Still LIfe with Big Bear, circa 1926
Nature morte, circa 1926
Composition cubiste au portrait, poisson et clair de lune, circa 1926
La Cithare, circa 1923
Le Comptoir, circa 1922
The Cardplayer, circa 1921
Still LIfe with Ace of Spades, circa 1921
Planches de Salut, circa 1921
Guitar and Pomegranates by a Window, circa 1921
Still LIfe in front of the Window, circa 1920
Still Nature, circa 1918
The Musician, circa 1914
 Still Life with Ephemeris, circa 1914
Nature morte cubiste, circa 1914

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