Kris Andrew Small is a world-renowned artist whose work is a vibrant fusion of graphic design, illustration, and activism, characterized by bold color, dynamic typography, and layered textures. His unique visual language—embracing chaos, movement, and abstraction—allows him to tackle important societal themes while maintaining an exuberant and energetic style. Today, his practice spans installation, campaigns, painting, public art, and commercial art, showcasing his versatility across mediums. Throughout Small’s career he has collaborated with some of the worlds largest brands like Apple, Gucci, Adidas, Nike, Honda and Adobe and exhibited at institutions like MAD, The Louvre, Paris, The V&A, Dundee and the Gallery of NSW, Sydney.
A major facet of Kris’ work is typography, which he combines with abstract visuals and collaged photos; a union that has become his signature. Swaying between serious and playful idioms, all of his type is hand-drawn and created without inhibition or restraint. Rather than adhering to grids, guides or rules, Kris instead treats letters like textures and yet another means for him to build his singular style.
The amalgamation of illustrative techniques and graphic design principles is what makes Kris’ work so distinctive and sees him rewriting the very definitions of the disciplines. In converging so many techniques, he has forged a style all of his own; one that rejects formality and embraces self-expression. Not confined to the boundaries of any specific creative output, instead, Kris constantly finds new and innovative canvases; be it a shoe, a car, or a watch, his work is defined by its very fluidity and his creative ambitions know no bounds.
© 2025. All content on this blog is protected by international copyright laws All images are copyrighted © by Kris Andrew Small or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only

 |
| Kris Andrew Smal |
 |
| Australian Open, 2022 |
 |
| Adidas Pride, 2022 |
 |
| Adidas Pride, 2022 |
 |
| Be Human, 2023 Installation view |
 |
| Be Human, 2023 Installation view |
 |
| Be Human, 2023 Installation view |
 |
| Be Human, 2023 Installation view |
 |
| Adobe Ambassador, 2024 |
 |
| Adobe Ambassador, 2024 |
 |
| Honda ZR-v, 2024 |
 |
| Honda ZR-v, 2024 |
 |
| Honda ZR-v, 2024 |
 |
| New York Magazine, 2024 |
 |
| New York Magazine, 2024 |
 |
| New York Magazine, 2024 |
 |
| New York Magazine, 2024 |
 |
| Everything is the Future, 2025. installation view |
 |
| Everything is the Future, 2025. installation view |
 |
| Everything is the Future, 2025. installation view |
 |
| Everything is the Future, 2025. installation view |
 |
| Everything is the Future, 2025. installation view |
 |
| Honda Art Series, 2025 |
 |
| Honda Art Series, 2025 |
 |
| Honda Art Series, 2025 |
 |
| KAS X GRC, 2025 |
 |
| KAS X GRC, 2025 |
 |
| KAS X GRC, 2025 |
 |
| KAS X GRC, 2025 |
 |
| Like Nature, We Persist, 2025 installation view |
 |
| Nike Airmax 270 React |
 |
| Nike Airmax 270 React |
No comments:
Post a Comment