Jaime Antonio Gumercindo González Colson (1901 – 1975) was a Dominican modernist painter, writer, and playwright born in Tubagua, Puerto Plata. He is remembered as one of the most important Dominican artists of the 20th century, and as one of the leading figures of the modernist movement in 20th century Dominican art, along with Yoryi Morel, Dario Suro, and Celeste Woss y Gil.
His travels to Spain and France in the early 20th century led to his experimenting with Cubism, Surrealism and other avant-garde styles. He struck up friendships with artists like Maruja Mallo, Rafael Barradas and Salvador Dalí in Spain, and in Paris, came to know Pablo Picasso and Georges Braque, masters of the cubist school that influenced his style. In 1934, he decided to leave Europe for Mexico to teach art, where he befriended artists like José Clemente Orozco and Diego Rivera.
After leaving Mexico in 1938, Colson became professor at the art academy in Havana, Cuba to teach his "cubismo neo-humanista". The Cuban artist Mario Carreño was one of his pupils.
In May 1938, Colson held an art exhibition for the first time in his country, in Santo Domingo, at that time, Ciudad Trujillo. Years later, dictator Rafael Trujillo would go on to appoint him Director of the School of Fine Arts in 1950. Colson would go on to resign less than two years later as a result of the repressive regime.
Colson's art has mostly been described as Cubist, Surrealist, and Neohumanist. He is best known for his development of Neohumanismo (or Neohumanism) and Caribbean cubism or Afro-cubism. His most notable works include Merengue (1938), and his series Figuras Metafisicas (1930). Colson also wrote poetry and theatrical works.
Colson was a devoted Catholic his entire life and married his companion, Toyo Kurimoto, of Japan, in a Catholic ceremony.
© 2025. All content on this blog is protected by international copyright laws All images are copyrighted © by Jaime Colson or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only

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| Jaime Colson |
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| Japonesa, c. 1926 |
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| Homenajes a Picasso, c. 1927 |
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| Autorretrato japonés, c. 1927 |
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| Cubist Still Life, c. 1928 |
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| Hombre con pipa (retrato de Tomás Hernández Franco), c. 1928 |
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| Figuras Metafísicas, c. 1930 |
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| Conversation à l'escalier, étude, c. 1932 |
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| Sin Título, c. 1932 |
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| Dos desnudos, c. 1935 |
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| Sin título. c. 1937 |
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| Children, c. 1938 |
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| Merengue, c. 1938 |
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| Sueño, c. 1938 |
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| Deux têtes d'enfants, c. 1941 |
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| Face in profile, c. 1941 |
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| Sin Título (Anunciación), c. 1942 Barcelona |
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| Three children, c. 1942 |
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| Reminiscencias, c. 1943 |
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| Sin Título, c. 1943 |
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| Still life, c. 1943 |
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| Compte Arnau (Poema de Joan Maragall), c. 1947 |
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| Muchacho con gorra roja, c. 1951 |
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| Sin Título (Abstract Musicians), c. 1951 |
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| Fiesta de Guachupita, c. 1955 |
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| Sin Título (Mother and Child), c. 1955 |
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| Monsieur Colson, c. 1957 |
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| Two Heads, c. 1957 |
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| Sonata de la Piedra y de la Carne, c. 1967 |
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| A woman with a water jug in the doorway, two other figures with jugs in the background |
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| Boy with foliage |
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