George Henry Johnson (1926 – 2021) was a New Zealand artist who made his name in Australia.
Johnson studied art under the emigre artist Theo Schoon, who confirmed an early commitment to modernist art, especially Geometric Abstraction. He graduated from Wellington Technical College in 1947.
Johnson took influence from Dutch De Stijl, otherwise known as Neoplasticism. This Dutch art movement was based around architecturally structured pieces, similar to how you may view many of Johnson's works. Growing up, this artistic influence was significant as it was at the height of its popularity during Johnson's most impressionable years.
Johnson relocated to Melbourne, Australia, in 1951 where he was soon drawn into contemporary art circles, mixing with Leonard French, Roger Kemp, Inge King, Julius Kane, Peter Graham, Clement Meadmore and others. He held his first solo exhibition there at the age of 30 in 1956, a selection of boldly geometric abstractions that set the art scene buzzing. By this time he was sharing a studio with French and the pair experienced increasing friction from the Heide Circle, a rival group of figurative modernists—including Arthur Boyd, John Perceval, Charles Blackman and Robert Dickerson—who were still trying to control the Contemporary Art Society. The latter artists eventually formed the Antipodeans Group, staging an exhibition in August 1959, initially to make a stand against Johnson, French, Kemp and a growing number of non-objectivist followers, although increasingly to express their opposition to American Abstract Expressionism, which they feared was about to overwhelm Australian art.
© 2025. All content on this blog is protected by international copyright laws All images are copyrighted © by George Johnson or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only

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| Toccata, c. 1954 |
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| Unit, c. 1960 |
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| Earth Concept, c. 1963 |
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| Untitled, c. 1975 |
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| Relationship 1976, c. 1976 |
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| Study for Structure Nº. 2, c. 1980 |
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| Relationships Nº 16, c. 1982 |
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| World View, c. 1984 |
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| Untitled (Study for Red Triangle Paintings), c. 1985 |
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| For Lou Johnson, c. 1986 |
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| Multilineal, c. 1987 |
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| Two Red Triangles supported by Black and Grey Cross Brace, c. 1988 |
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| Variations on a Red Triangle theme, c. 1989 |
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| Red Triangle Construction, c. 1996 |
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| Suspended Red Triangles Nº. 1, c. 1996 |
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| Untitled, c. 1996 |
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| Sentinel Nº. 2, c. 1997 |
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| Untitled, c. 1997 |
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| Vertical Red Triangle Construction Nº 3, c. 1997 |
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| Personal Symbol, c. 1999 |
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| Structure with Blue Triangle, c. 1999 |
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| Three Circular Constructions, c. 2004 |
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| Dual Circular Theme (Senior), c. 2005 |
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| From the Centre, c. 2005 |
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| Motivation Nº. 2, c. 2005 |
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| Sonata Nº. 1, c. 2005 |
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| Red Nexus, c. 2006 |
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| Construction with Red Oxide Triangle, c. 2007 |
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| Artery, c. 2008 |
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| Multilineal, c. 2008 |
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| Canto I, c. 2009 |
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| New Life, c. 2012 |
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