Monday, August 28, 2017

Artist of the day, August 28: Leonardo da Vinci, Italian painter, sculptor, architect, inventor. (The renaissance man)



Leonardo da Vinci (1452-1519) was a painter, sculptor, architect, inventor, military engineer and draftsman — the epitome of a “Renaissance man.” With a curious mind and keen intellect, da Vinci studied the laws of science and nature, which greatly informed his work. His ideas and body of work have influenced countless artists and made da Vinci a leading light of the Italian Renaissance.

Although da Vinci is known for his artistic abilities, fewer than two-dozen paintings attributed to him exist. One reason is that his interests were so varied that he wasn’t a prolific painter. Leonardo da Vinci’s most famous works include the “Vitruvian Man,” “The Last Supper” and the “Mona Lisa.”

Art and science intersected perfectly in da Vinci’s sketch of “Vitruvian Man,” drawn in 1490, which depicted a male figure in two superimposed positions with his arms and legs apart inside both a square and a circle. The sketch represents Leonardo’s study of proportion as well as his desire to relate man to nature.

Around 1495, Ludovico Sforza, then the Duke of Milan, commissioned da Vinci to paint “The Last Supper” on the back wall of the dining hall inside the monastery of Milan’s Santa Maria delle Grazie. The masterpiece, which took approximately three years to complete, captures the drama of the moment when Jesus informs the Twelve Apostles gathered for Passover dinner that one of them would soon betray him. The range of facial expressions and the body language of the figures around the table bring the masterful composition to life. The decision by da Vinci to paint with tempera and oil on dried plaster instead of painting a fresco on fresh plaster led to the quick deterioration and flaking of “The Last Supper.” Although an improper restoration caused further damage to the mural, it has now been stabilized using modern conservation techniques. 
‘Mona Lisa’

In 1503, da Vinci started working on what would become his most well known painting — and arguably the most famous painting in the world —the “Mona Lisa.” The privately commissioned work is characterized by the enigmatic smile of the woman in the half-portrait, which derives from da Vinci’s sfumato technique.

If the Giocondo family did indeed commission the painting, they never received it. For da Vinci, the "Mona Lisa" was forever a work in progress, as it was his attempt at perfection, and he never parted with the painting. Today, the "Mona Lisa" hangs in the Louvre Museum in Paris, France, secured behind bulletproof glass and regarded as a priceless national treasure seen by millions of visitors each year.

In 1503, da Vinci also started work on the “Battle of Anghiari,” a mural commissioned for the council hall in the Palazzo Vecchio that was to be twice as large as “The Last Supper.” He abandoned the project after two years when the mural began to deteriorate before he had a chance to finish it.

A man ahead of his time, da Vinci appeared to prophesy the future with his sketches of machines resembling a bicycle and a helicopter. Perhaps his most well-known “invention” is a “flying machine,” which is based on the physiology of a bat.

After being present at a 1515 meeting between France’s King Francis I and Pope Leo X in Bologna, the new French monarch offered da Vinci the title “Premier Painter and Engineer and Architect to the King.” Along with Melzi, da Vinci departed for France, never to return. He lived in the Chateau de Cloux (now Clos Luce) near the king’s summer palace along the Loire River in Amboise. As in Rome, da Vinci did little painting during his time in France. One of his last commissioned works was a mechanical lion that could walk and open its chest to reveal a bouquet of lilies.




da Vinci paintings

Self Portrait ?

1498, Last supper

1472, The Annunciation

1474, Portrait of Ginevra Benci

1475, The Baptism of Christ

1478, Benois Madonna


1485, The Virgin of the Rocks

1490, La belle ferronnière

1490, Lady with an Ermine

1490, Madonna Litta

1490, Portrait of a Musician

1497, Crocifissione

1499-1500 Portrait of Isabella d'Este

1499-1507 Madonna of the Yarnwinder

1503 Mona Lisa

1503, The Virgin and Child with St. Anne

1504, Tavola Doria

1508 Head of a Woman

1508, Leda and the Swan

1510 The Head of the Virgin in Three-Quarter View Facing Right

1513, Saint John the Baptist

Madonna and Child with a Pomegranate

The Virgin and Child with St Anne and St John the Baptist


daVinci studies and drawings


1490, Vitruvian

1480, Siege machine

1483 Head of a girl

1485-87, Designs for a Boat

1487-90, Grotesque Profile

1488-89, Proportions of the Head

1488-89, Study for the Sforza Monument

1489, View of a skul

1489, View of a skul

1490, Five Characters in a Comic Scene

1490, Study of woman

1490-5, Christ figure

1492, Study of neck

1495,Study for the Last Supper

1503, Battle of Anghiari

1505-07, Study for the Kneeling Leda

1505-7, Study for the Headof Leda

1506, Study of hands

1508, Study of Brain Physiology

1509-10, Anatomical studies of the shoulder

1509-10, Studies of the Shoulder and Neck

1510-12, Views of a Fetus in the Womb

1510-15, Head of Saint Anne

1512, Portrait of a Man in Red Chalk

1513, Study of Cats and Other Animals


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