Leonardo da Vinci (1452-1519) was a painter, sculptor, architect, inventor, military engineer and draftsman — the epitome of a “Renaissance man.” With a curious mind and keen intellect, da Vinci studied the laws of science and nature, which greatly informed his work. His ideas and body of work have influenced countless artists and made da Vinci a leading light of the Italian Renaissance.
Although da Vinci is known for his artistic abilities, fewer than two-dozen paintings attributed to him exist. One reason is that his interests were so varied that he wasn’t a prolific painter. Leonardo da Vinci’s most famous works include the “Vitruvian Man,” “The Last Supper” and the “Mona Lisa.”
Art and science intersected perfectly in da Vinci’s sketch of “Vitruvian Man,” drawn in 1490, which depicted a male figure in two superimposed positions with his arms and legs apart inside both a square and a circle. The sketch represents Leonardo’s study of proportion as well as his desire to relate man to nature.
Around 1495, Ludovico Sforza, then the Duke of Milan, commissioned da Vinci to paint “The Last Supper” on the back wall of the dining hall inside the monastery of Milan’s Santa Maria delle Grazie. The masterpiece, which took approximately three years to complete, captures the drama of the moment when Jesus informs the Twelve Apostles gathered for Passover dinner that one of them would soon betray him. The range of facial expressions and the body language of the figures around the table bring the masterful composition to life. The decision by da Vinci to paint with tempera and oil on dried plaster instead of painting a fresco on fresh plaster led to the quick deterioration and flaking of “The Last Supper.” Although an improper restoration caused further damage to the mural, it has now been stabilized using modern conservation techniques.
‘Mona Lisa’
In 1503, da Vinci started working on what would become his most well known painting — and arguably the most famous painting in the world —the “Mona Lisa.” The privately commissioned work is characterized by the enigmatic smile of the woman in the half-portrait, which derives from da Vinci’s sfumato technique.
If the Giocondo family did indeed commission the painting, they never received it. For da Vinci, the "Mona Lisa" was forever a work in progress, as it was his attempt at perfection, and he never parted with the painting. Today, the "Mona Lisa" hangs in the Louvre Museum in Paris, France, secured behind bulletproof glass and regarded as a priceless national treasure seen by millions of visitors each year.
In 1503, da Vinci also started work on the “Battle of Anghiari,” a mural commissioned for the council hall in the Palazzo Vecchio that was to be twice as large as “The Last Supper.” He abandoned the project after two years when the mural began to deteriorate before he had a chance to finish it.
A man ahead of his time, da Vinci appeared to prophesy the future with his sketches of machines resembling a bicycle and a helicopter. Perhaps his most well-known “invention” is a “flying machine,” which is based on the physiology of a bat.
After being present at a 1515 meeting between France’s King Francis I and Pope Leo X in Bologna, the new French monarch offered da Vinci the title “Premier Painter and Engineer and Architect to the King.” Along with Melzi, da Vinci departed for France, never to return. He lived in the Chateau de Cloux (now Clos Luce) near the king’s summer palace along the Loire River in Amboise. As in Rome, da Vinci did little painting during his time in France. One of his last commissioned works was a mechanical lion that could walk and open its chest to reveal a bouquet of lilies.
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da Vinci paintings
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Self Portrait ? |
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1498, Last supper |
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1472, The Annunciation |
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1474, Portrait of Ginevra Benci |
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1475, The Baptism of Christ |
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1478, Benois Madonna |
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1485, The Virgin of the Rocks |
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1490, La belle ferronnière |
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1490, Lady with an Ermine |
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1490, Madonna Litta |
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1490, Portrait of a Musician |
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1497, Crocifissione |
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1499-1500 Portrait of Isabella d'Este |
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1499-1507 Madonna of the Yarnwinder |
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1503 Mona Lisa |
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1503, The Virgin and Child with St. Anne |
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1504, Tavola Doria |
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1508 Head of a Woman |
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1508, Leda and the Swan |
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1510 The Head of the Virgin in Three-Quarter View Facing Right |
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1513, Saint John the Baptist |
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Madonna and Child with a Pomegranate |
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The Virgin and Child with St Anne and St John the Baptist |
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daVinci studies and drawings
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1490, Vitruvian |
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1480, Siege machine |
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1483 Head of a girl |
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1485-87, Designs for a Boat |
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1487-90, Grotesque Profile |
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1488-89, Proportions of the Head |
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1488-89, Study for the Sforza Monument |
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1489, View of a skul |
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1489, View of a skul |
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1490, Five Characters in a Comic Scene |
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1490, Study of woman |
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1490-5, Christ figure |
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1492, Study of neck |
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1495,Study for the Last Supper |
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1503, Battle of Anghiari |
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1505-07, Study for the Kneeling Leda |
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1505-7, Study for the Headof Leda |
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1506, Study of hands |
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1508, Study of Brain Physiology |
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1509-10, Anatomical studies of the shoulder |
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1509-10, Studies of the Shoulder and Neck |
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1510-12, Views of a Fetus in the Womb |
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1510-15, Head of Saint Anne |
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1512, Portrait of a Man in Red Chalk |
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1513, Study of Cats and Other Animals |
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