Wassily Kandinsky, Russian (Vasily Vasilyevich Kandinsky) (1866-1944), Russian-born artist, one of the first creators of pure abstraction in modern painting. After successful avant-garde exhibitions, he founded the influential Munich group Der Blaue Reiter (“The Blue Rider” ; 1911–14) and began completely abstract painting. His forms evolved from fluid and organic to geometric and, finally, to pictographic.
One of the pioneers of abstract modern art, Wassily Kandinsky exploited the evocative interrelation between color and form to create an aesthetic experience that engaged the sight, sound, and emotions of the public. He believed that total abstraction offered the possibility for profound, transcendental expression and that copying from nature only interfered with this process. Highly inspired to create art that communicated a universal sense of spirituality, he innovated a pictorial language that only loosely related to the outside world, but expressed volumes about the artist's inner experience. His visual vocabulary developed through three phases, shifting from his early, representative canvases and their divine symbolism to his rapturous and operatic compositions, to his late, geometric and biomorphic flat planes of color. Kandinsky's art and ideas inspired many generations of artists, from his students at the Bauhaus to the Abstract Expressionists after World War II.
Painting was, above all, deeply spiritual for Kandinsky. He sought to convey profound spirituality and the depth of human emotion through a universal visual language of abstract forms and colors that transcended cultural and physical boundaries.
Kandinsky viewed non-objective, abstract art as the ideal visual mode to express the "inner necessity" of the artist and to convey universal human emotions and ideas. He viewed himself as a prophet whose mission was to share this ideal with the world for the betterment of society.
Kandinsky viewed music as the most transcendent form of non-objective art - musicians could evoke images in listeners' minds merely with sounds. He strove to produce similarly object-free, spiritually rich paintings that alluded to sounds and emotions through a unity of sensation.
One of the pioneers of abstract modern art, Wassily Kandinsky exploited the evocative interrelation between color and form to create an aesthetic experience that engaged the sight, sound, and emotions of the public. He believed that total abstraction offered the possibility for profound, transcendental expression and that copying from nature only interfered with this process. Highly inspired to create art that communicated a universal sense of spirituality, he innovated a pictorial language that only loosely related to the outside world, but expressed volumes about the artist's inner experience. His visual vocabulary developed through three phases, shifting from his early, representative canvases and their divine symbolism to his rapturous and operatic compositions, to his late, geometric and biomorphic flat planes of color. Kandinsky's art and ideas inspired many generations of artists, from his students at the Bauhaus to the Abstract Expressionists after World War II.
Painting was, above all, deeply spiritual for Kandinsky. He sought to convey profound spirituality and the depth of human emotion through a universal visual language of abstract forms and colors that transcended cultural and physical boundaries.
Kandinsky viewed non-objective, abstract art as the ideal visual mode to express the "inner necessity" of the artist and to convey universal human emotions and ideas. He viewed himself as a prophet whose mission was to share this ideal with the world for the betterment of society.
Kandinsky viewed music as the most transcendent form of non-objective art - musicians could evoke images in listeners' minds merely with sounds. He strove to produce similarly object-free, spiritually rich paintings that alluded to sounds and emotions through a unity of sensation.
Mr Wassily Kandinsky |
Self-portrait |
Old town II, 1902 |
Russian beauty in a landscape, 1905 |
Couple riding, 1906 |
Study for autumn, 1909 |
The elephant, 1908 |
Glass painting with the sun small pleasures, 1910 |
Untitled (first abstract watercolor), 1910 |
Composition IV, 1911 |
Lyrical- lyrics, 1911 |
Improvisation 27 (Garden of Love II), 1912 |
Improvisation 28 (Second version), 1912 |
Color study. Squares with concentric circles, 1813 |
Composition VII, 1913 |
Improvisation dreamy, 1913 |
Small pleasures, 1913 |
Improvisation 209, 1917 |
Composition #224 (On white), 1920 |
Red oval, 1920 |
Blue segment, 1921 |
Black grid (Schwarzer raster), 1922 |
Black and violet, 1923 |
Composition VIII, 1923 |
No title, 1923 |
Transverse line, 1923 |
Blaues Bild - Blue Painting, 1924 |
Yellow-red-blue, 1925 |
Pink in Gray, 1926 |
Several Circles, 1926 |
Picture XVI, the great gate of Kiev, 1928 |
Upward, 1929 |
Capricious, 1930 |
Fragile, 1931 |
Free, 1932 |
Movement I, 1935 |
Succession, 1935 |
Thirty, 1937 |
Complex-simple, 1939 |
Various parts, 1940 |
Reciprocal accords, 1942 |
Composition, 1944 |
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