Subodh Gupta (1964) was raised in the Bihar railway town of Khagaul
in India. He studied art at school, although they had no teacher.
Instead, the children would meet to talk, read books, and make art,
learning from each other. In 1988, Gupta earned a BFA in painting from
the College of Arts and Crafts, Patna University in Bihar. Since 1990,
he has lived and worked in New Dehli, India.
His work is about where he come from. But at the same time, the expansion of the art world means that, to a certain extent, everything is shrinking together, and he have to be aware of international discourse in his work. The objects he work with "refer to the current state of India's shifting society, migration, a sense of home and place, and the effects and frictions caused by a rapidly globalizing society." The transition in his work "from organic . . . to manufactured . . . has traced his own migration to the mainstream of art culture of urban India." Art language is the same all over the world, which allows him to be anywhere.
Like eighty percent of the population in India, he grew up carrying his lunch in the kinds of tiffin pots featured in his work."I am the idol thief. I steal from the drama of Hindu life. And from the kitchen.-these pots, they are like stolen gods, smuggled out of the country. Steel. . . first started seeping into Indian households where I was boy of about eleven or twelve . . . It was the new metal that . . . new Temples of Modernity were churning out . . . Insidiously, it was entering our hearth and home." Hindu kitchens are as important as prayer rooms. These pots are like something sacred, part of important rituals, buying them in a market.
Buckets are also very resonant to him. Where he grew up, big families lived together, and taking the bucket meant that you were going to bathe. It's all creating a juxtaposition between the personal and something bigger. These days…sushi restaurants are opening up all over India, indicating how…the history of the Silk Route, a route of trade across India and Asia, goes back centuries. The objects he pick already have their own significance. I put them together to create new meanings.
All images are Copyright © 2007, Subodh Gupta
His work is about where he come from. But at the same time, the expansion of the art world means that, to a certain extent, everything is shrinking together, and he have to be aware of international discourse in his work. The objects he work with "refer to the current state of India's shifting society, migration, a sense of home and place, and the effects and frictions caused by a rapidly globalizing society." The transition in his work "from organic . . . to manufactured . . . has traced his own migration to the mainstream of art culture of urban India." Art language is the same all over the world, which allows him to be anywhere.
Like eighty percent of the population in India, he grew up carrying his lunch in the kinds of tiffin pots featured in his work."I am the idol thief. I steal from the drama of Hindu life. And from the kitchen.-these pots, they are like stolen gods, smuggled out of the country. Steel. . . first started seeping into Indian households where I was boy of about eleven or twelve . . . It was the new metal that . . . new Temples of Modernity were churning out . . . Insidiously, it was entering our hearth and home." Hindu kitchens are as important as prayer rooms. These pots are like something sacred, part of important rituals, buying them in a market.
Buckets are also very resonant to him. Where he grew up, big families lived together, and taking the bucket meant that you were going to bathe. It's all creating a juxtaposition between the personal and something bigger. These days…sushi restaurants are opening up all over India, indicating how…the history of the Silk Route, a route of trade across India and Asia, goes back centuries. The objects he pick already have their own significance. I put them together to create new meanings.
All images are Copyright © 2007, Subodh Gupta
Mr Subodh Gupta |
Mind Shut Down Copyright © 2007, Subodh Gupta |
Accumulations Copyright © 2007, Subodh Gupta |
Cooking Around the World Installation Copyright © 2007, Subodh Gupta |
Cooking Around the World Installation Copyright © 2007, Subodh Gupta |
Cooking Around the World Installation Copyright © 2007, Subodh Gupta |
Cooking the World’, Art Basel Unlimited 2017 Copyright © 2007, Subodh Gupta |
Cow 2003 (detail) Copyright © 2007, Subodh Gupta |
Cow 2003 (detail)Copyright © 2007, Subodh Gupta |
Cow 2003 Copyright © 2007, Subodh Gupta |
Dubai to Mumbai - Vehicle for Seven Seas', 2003 Copyright © 2007, Subodh Gupta |
Et tu, Duchamp? Copyright © 2007, Subodh Gupta |
Et tu, Duchamp? Copyright © 2007, Subodh Gupta |
Everything is Inside' Copyright © 2007, Subodh Gupta |
Faith Matters Installation 2010 Copyright © 2007, Subodh Gupta |
Faith Matters Installation 2010 Copyright © 2007, Subodh Gupta |
Faith Matters Installation 2010 Copyright © 2007, Subodh Gupta |
Faith Matters Installation 2010 Copyright © 2007, Subodh Gupta |
Fantastic, 2012 Copyright © 2007, Subodh Gupta |
From Far Away Uncle Moon Calls Copyright © 2007, Subodh Gupta |
Gandhi's Three Monkeys, 2007-2008 Copyright © 2007, Subodh Gupta |
Gandhi's Three Monkeys, 2007-2008 Copyright © 2007, Subodh Gupta |
Gandhi's Three Monkeys, 2007-2008 Copyright © 2007, Subodh Gupta |
Gandhi's Three Monkeys, 2007-2008 Copyright © 2007, Subodh Gupta |
Copyright © 2007, Subodh Gupta |
Hungry God 2005–06 Copyright © 2007, Subodh Gupta |
Incubate 2011 Copyright © 2007, Subodh Gupta |
Line of Control Copyright © 2007, Subodh Gupta |
Out of Nothing Copyright © 2007, Subodh Gupta |
Ray, 2012 Copyright © 2007, Subodh Gupta |
Ray, 2012 Copyright © 2007, Subodh Gupta |
Repose Copyright © 2007, Subodh Gupta |
School (2008) and All in the Same Boat (2012-2013) Copyright © 2007, Subodh Gupta |
Specimen No. 108, 2015 Copyright © 2007, Subodh Gupta |
Spill, 2015 (detail) opyright © 2007, Subodh Gupta |
Spill, 2015 Copyright © 2007, Subodh Gupta |
Spill, 2015 Copyright © 2007, Subodh Gupta |
Spooning 2009 Copyright © 2007, Subodh Gupta |
Still Steal Steel #1 2007 Copyright © 2007, Subodh Gupta |
This side is the other side 2001 (detail). Copyright © 2007, Subodh Gupta |
This side is the other side 2001 Copyright © 2007, Subodh Gupta |
UFO 2007 Copyright © 2007, Subodh Gupta |
Untitled Copyright © 2007, Subodh Gupta |
Untitled, 2010 Copyright © 2007, Subodh Gupta |
Vehicle for the seven seas, 2004 Copyright © 2007, Subodh Gupta |
Wall, 2009 Copyright © 2007, Subodh Gupta |
What does the vessel contain, that the river does not , 2012 Copyright © 2007, Subodh Gupta |
No comments:
Post a Comment