Fan Ho (何藩 1931– 2016) was a celebrated Chinese photographer, film director, and actor. From 1956, he won over 280 awards from international exhibitions and competitions worldwide for his photography
Fan Ho was born in Shanghai, but immigrated with his family to Hong Kong at an early age. Ho began photographing at a very young age with a Rolleiflex camera his father gave him. Largely self-taught, his photos display a fascination with urban life, explored alleys, slums, markets and streets, depicting the street vendors and children only a few years younger than himself. He developed his images in the family bathtub and soon had built up a significant body of work, chronicling Hong Kong in the 50s and 60s as it was becoming a major metropolitan center.
Ho has been invited by twelve universities in Taiwan and Hong Kong to serve as a Visiting Professor, teaching the art of film-making and photography. He has written five books, one of them containing all his award-winning prints that are on display at the Museum of Modern Art, San Francisco. The Living Theatre is Ho’s latest book done by MB Editions. Further, Fan Ho is an accomplished and acclaimed Hong Kong film director.
He won the “Best Film Award” in Banbury International Film Festival in England. Three of his films have received the “Official Selection” of the International Film Festivals of Cannes, Berlin, and San Francisco, and five of his films have been selected in the “Permanent Collection” of the National Film Archives of Taiwan and Hong Kong. He has also been elected as “judge” of the Taiwan Golden Horse Film Festival and Hong Kong Oscar Film Award. It is this diverse cultural background that makes Fan Ho’s creative style so unique, full of lyrical beauty, dramatic power, and poetic grandeur.
© 2018. All images are copyrighted © by Fan Ho Photography. The use of any image from this site is prohibited unless prior written permission from the artist is obtained.
Fan Ho was born in Shanghai, but immigrated with his family to Hong Kong at an early age. Ho began photographing at a very young age with a Rolleiflex camera his father gave him. Largely self-taught, his photos display a fascination with urban life, explored alleys, slums, markets and streets, depicting the street vendors and children only a few years younger than himself. He developed his images in the family bathtub and soon had built up a significant body of work, chronicling Hong Kong in the 50s and 60s as it was becoming a major metropolitan center.
Ho has been invited by twelve universities in Taiwan and Hong Kong to serve as a Visiting Professor, teaching the art of film-making and photography. He has written five books, one of them containing all his award-winning prints that are on display at the Museum of Modern Art, San Francisco. The Living Theatre is Ho’s latest book done by MB Editions. Further, Fan Ho is an accomplished and acclaimed Hong Kong film director.
He won the “Best Film Award” in Banbury International Film Festival in England. Three of his films have received the “Official Selection” of the International Film Festivals of Cannes, Berlin, and San Francisco, and five of his films have been selected in the “Permanent Collection” of the National Film Archives of Taiwan and Hong Kong. He has also been elected as “judge” of the Taiwan Golden Horse Film Festival and Hong Kong Oscar Film Award. It is this diverse cultural background that makes Fan Ho’s creative style so unique, full of lyrical beauty, dramatic power, and poetic grandeur.
© 2018. All images are copyrighted © by Fan Ho Photography. The use of any image from this site is prohibited unless prior written permission from the artist is obtained.
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| Mr Fan Ho |
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| 1945, Wet Day, Shangai |
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| 1946, Old Chinese Teahouse, Shanghai |
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| 1948, After the war |
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| 1949, Women toilers |
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| 1952, Rickshaw man |
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| 1954, Approaching shadow |
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| 1954, The Lone Ranger |
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| 1955, As evening hurries by |
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| 1955, At the Crossroad |
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| 1955, Into the Mist |
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| 1956, Journey to Uncertainty |
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| 1956, Pattern |
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| 1957, Circles |
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| 1958, Arrow |
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| 1958, Different Directions |
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| 1958, Evening in Aberdeen |
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| 1958, Hong Kong Midnight |
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| 1958, Little Grandma |
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| 1958, Lonely stroll |
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| 1958, Moonlight Serenade |
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| 1958, The Return |
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| 1959, Afternoon Chat |
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| 1959, In a Chinese street |
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| 1959, Out There |
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| 1959, Smokey Staircase |
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| 1959, SunRays |
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| 1959, W |
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| 1959, Work and Play, |
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| 1960, Journey Mystique |
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| 1960, Private |
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| 1960, Pulling Carts |
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| 1961, Kids and Cats |
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| 1961, La Strada |
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| 1961, Little Women |
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| 1962, A day's end |
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| 1962, A Sad Sad Song |
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| 1962, Between Showers |
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| 1962, Daddy's Helper |
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| 1962, Get Along |
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| 1962, Hong Kong-Venice |
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| 1962, Inferno |
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| 1962, Wavy Stairs |
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| 1963, East Meets West |
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| 1963, Into The Light |
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| 1963, Market Parade |
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| 1965, Balloon Peddler |
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| 1965, Danger |
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| 1966, Flare |
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| 1966, In Daddy's Arms |
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| 1966, Life in a Slum |
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| 1967, Mothers Helper |
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| 2011, The Lonely Conductor |
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| 2011, Twins Alley |
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| from "A Hong Kong Memoir" |
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| from "A Hong Kong Memoir" |
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| from "A Hong Kong Memoir" |
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| Opposites |
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| Young Musketeers |
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