Artist of the day: Artist of the day, August 20: George Lance, English painter

Monday, August 20, 2018

Artist of the day, August 20: George Lance, English painter

George Lance (1802 –1864) was an English painter of still life and portrait miniatures.

Lance was born at the old manor-house in Essex. Although Lance showed a predilection for art at a very early age, he was placed, while not yet fourteen, in a factory in Leeds. However, the work injured his health and he returned to London. Wandering one day into the British Museum, he casually started a conversation with Charles Landseer, who happened to be drawing there. On learning that Landseer was a pupil of Benjamin Haydon, he went early next morning to that painter's residence, and asked to become a pupil. Haydon replied that if his drawings promised future success he would instruct him for nothing. Not many days later Lance, still not yet fourteen, entered Haydon's studio, and remained there for seven years, at the same time studying in the schools of the Royal Academy.

While designing a picture inspired by Homer's Iliad, he decided, before putting on the colours, to paint some fruit and vegetables as practice. This work attracted the notice of Sir George Beaumont, who purchased it, and this success led him to paint another fruit-piece, which he sold to the Earl of Shaftesbury. He then painted two fruit-pieces for the Duke of Bedford as decorations for a summer-house at Woburn Abbey, and his work proved so profitable that he decided to devote himself to still-life painting.

He began to exhibit in 1824, when he sent to the British Institution A Fruit Boy, and to the Society of British Artists The Mischievous Boy and two fruit-pieces. In 1828 he exhibited the Royal Academy, for the first time.

Although he gained his reputation chiefly as a painter of fruit and flowers, Lance sometimes produced historical and genre works, and his picture of Melanchthon's First Misgivings of the Church of Rome won the prize at the Liverpool Academy in 1836. His works appeared most frequently at the exhibitions of the British Institution, to which he contributed 135 pictures, and he also sent 48 works to the Society of British Artists, and 38 to the Royal Academy. He also exhibited many fruit-pieces and pictures of dead game, painted with great richness of colour and truthfulness to nature.