Richard Wentworth (1947) is a British artist, curator and teacher. Born in New Zealand. He studied art at Hornsey College of Art in North London from 1965, and then at the Royal College of Art.
Between 1971 and 1987, Wentworth taught at Goldsmiths College and his influence has been claimed in the work of the Young British Artists. From 2002 to 2010, Wentworth was 'Master of Drawing' at the Ruskin School of Drawing and Fine Art, Oxford University and was the head of the Sculpture department at The Royal College of Art, London from 2009 - 2011.
Since the early 1970s Wentworth has been capturing chance encounters of oddities and discrepancies in the modern landscape in the ongoing photographic series known as Making Do and Getting By. Mundane snapshots and fragments of the modern landscape are elevated to an analysis of human resourcefulness and improvisation, whereby amusing oddities that would otherwise go by unnoticed become the subject of intent contemplation.
In the early 1980s Wentworth became identified with the New British Sculpture movement. Wentworth’s interest is the juxtaposition of materials and found elements that do not belong together. In the work Shower, Wentworth attached a small propeller to an ordinary table creating the impression that the furniture is about to take flight. For his 1995 solo show at the Lisson Gallery he created False Ceiling a flock of books suspended by wire from the gallery’s ceiling. For Art and Sacred Places in Winchester Cathedral he created Recall which speculated how the structure of the Cathedral might have been supported during its construction. Wentworth is also interested in the bizarre coincidences of urban life. His ongoing series of photographs, Making Do and Getting By (1974 onwards), captures the provisional ways in which people modify their local environment. In April 2010, Wentworth participated in a major sculpture exhibition curated by Peter Kardia entitled "From Floor to Sky”.
Wentworth has lived for many years in the Kings Cross area of London and in 2002 he realised the Artangel project An Area of Outstanding Unnatural Beauty in which for three months he took over a plumbing supply shop in the area converting it into a base for visitors to explore and engage with the area.
In July 2009, he curated the Lisson Gallery's Summer show oule to Braid featuring a large number of works from his personal collection and that of Lisson director Nicholas Logsdail.
In 2000, together with Fischli & Weiss and Gabriel Orozco he worked in "Aprendiendo menos" (Learning Less), curated by Patricia Martín and presented in Centro de la Imagen, Mexico city. Three different perspectives through photography, where the artists are a means to portray street findings within the urban landscape, its surroundings and its objects.
Wentworth was appointed Commander of the Order of the British Empire (CBE) in the 2011 New Year Honours for services to art
© 2019. All images are copyrighted © by Richard Wentworth. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained.
Between 1971 and 1987, Wentworth taught at Goldsmiths College and his influence has been claimed in the work of the Young British Artists. From 2002 to 2010, Wentworth was 'Master of Drawing' at the Ruskin School of Drawing and Fine Art, Oxford University and was the head of the Sculpture department at The Royal College of Art, London from 2009 - 2011.
Since the early 1970s Wentworth has been capturing chance encounters of oddities and discrepancies in the modern landscape in the ongoing photographic series known as Making Do and Getting By. Mundane snapshots and fragments of the modern landscape are elevated to an analysis of human resourcefulness and improvisation, whereby amusing oddities that would otherwise go by unnoticed become the subject of intent contemplation.
In the early 1980s Wentworth became identified with the New British Sculpture movement. Wentworth’s interest is the juxtaposition of materials and found elements that do not belong together. In the work Shower, Wentworth attached a small propeller to an ordinary table creating the impression that the furniture is about to take flight. For his 1995 solo show at the Lisson Gallery he created False Ceiling a flock of books suspended by wire from the gallery’s ceiling. For Art and Sacred Places in Winchester Cathedral he created Recall which speculated how the structure of the Cathedral might have been supported during its construction. Wentworth is also interested in the bizarre coincidences of urban life. His ongoing series of photographs, Making Do and Getting By (1974 onwards), captures the provisional ways in which people modify their local environment. In April 2010, Wentworth participated in a major sculpture exhibition curated by Peter Kardia entitled "From Floor to Sky”.
Wentworth has lived for many years in the Kings Cross area of London and in 2002 he realised the Artangel project An Area of Outstanding Unnatural Beauty in which for three months he took over a plumbing supply shop in the area converting it into a base for visitors to explore and engage with the area.
In July 2009, he curated the Lisson Gallery's Summer show oule to Braid featuring a large number of works from his personal collection and that of Lisson director Nicholas Logsdail.
In 2000, together with Fischli & Weiss and Gabriel Orozco he worked in "Aprendiendo menos" (Learning Less), curated by Patricia Martín and presented in Centro de la Imagen, Mexico city. Three different perspectives through photography, where the artists are a means to portray street findings within the urban landscape, its surroundings and its objects.
Wentworth was appointed Commander of the Order of the British Empire (CBE) in the 2011 New Year Honours for services to art
© 2019. All images are copyrighted © by Richard Wentworth. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained.
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| Mr Richard Wentworth |
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| 1983-84, Siege |
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| 1984, Antarctica with Lead Balls |
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| 1984, Domino |
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| 1984, Place |
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| 1984, shower |
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| 1984, shower |
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| 1985, 35°9,32°18' |
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| 1985, Dip |
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| 1985, Profit & Loss |
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| 1985, Yellow Eight |
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| 1986, Unmatched Pair (Jerusalem) |
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| 1988, Reservoir |
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| 1989 Installation view |
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| 1989, When in Rome, |
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| 1991, Fat Chance |
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| 1991, Man and the Animals #2 |
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| 1992, Twain |
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| 1993, Late 20th Century Flag |
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| 1993, Tract (from Boost to Wham) |
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| 1993, Half a Mo |
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| 1993-94, Installation view |
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| 1995, False Ceiling |
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| 1995, Installation view |
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| 1997, Spread |
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| 1999, Flight |
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| 2000, Le Baton |
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| 2000, The Warwick Dials |
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| 2001, Fort (For Marie Antoinette) |
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| 2003, Mirror, Mirror |
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| 2004, Mode - Module - Modular |
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| 2005, Tantamount |
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| 2005, If London Looked in the Mirror |
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| 2005, Ifs and Buts |
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| 2009, Firma Terra Firma Terra |
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| 2009, RCA SECRET |
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| 2011, Marginalia |
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| 2012, Plume |
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| 2013, A Room Full of Lovers |
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| 2013, Beijing, 2007 |
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| 2013, Black Maria |
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| 2013, Black Maria |
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| 2013, Black Maria |
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| 2013, Black Maria |
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| 2013, Caledonian Road, London, 2007 |
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| 2013, Here and Now |
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| 2013, South East Spain 2007 |
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| 2014, Chok |
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| 2015, Agora |
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| 2015, Agora |
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| 2015, Agora |
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| 2015, Agora |
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| 2015, Known Unknowns |
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| 2016, Large-scale installation |
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| 2018, Coppice |
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| The bootx |
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