Frida Baranek (1961) is a Brazilian sculptor known for creating large sculptural works that incorporate fibers and industrial materials such as plates, rods, and iron or steel wires as a commentary on industrialization and the environment in Brazil.
Frida Baranek was born in Rio de Janeiro. She graduated from Universidade Santa Úrsula, with a bachelor's degree in architecture in 1983, and from Parsons School of Design with a master's degree in sculpture in 1985. She has lived and worked in São Paulo, Paris, Berlin, and New York City.
She creates organic forms and subjects using inorganic materials e.g., "
Untitled," (1985) stone, wood boxes, bulbs, and electric wire, incorporated into and organic material (water) and it flows throughout the water seamlessly.
Others take the form of fences and screens to evoke mass and space e.g. Untitled, (1988) iron flexible, plates and stones and Untitled. The artist also knits and weaves thin thread into the womb and bag-like forms like in her sculpture. Baranek's overwhelming tangles and whiskered sacs refer to the sexual symbol of women's hair; this is not only a symbol of inclination but of danger as well. Other materials used in her sculptures are stones, springs, bars, glass, air chambers, tires, rubber balls, water, sand, etc.
In 1984, in a selected group exhibition called "
Como vai você, Geração 80?" at the Escola de Artes Visuais in Rio de Janeiro, Baranek created a stained plastic buoy floating in Rodrigo de Freitas Lake. The buoy is similar to the shape of the Dois Irmãos Mountain, which is close to the exhibition. The buoy is surrounded by water. The sculpture's satin surface that is silver reflects light bouncing off the water. Baranek's sculptures reflect a skewed reality, strangeness, and unexpected poetical relationships.
Her works are held by the São Paulo Museum of Modern Art, Museum of Contemporary Art, University of São Paulo, the Kemper Art Museum, and the National Museum of Women in the Arts.
© 2020. All content on this blog is protected by international copyright laws All images are copyrighted © by Frida Baranek. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
|
1985, Untitled |
|
1986, Untitled |
|
1986, Untitled |
|
1988, Untitled |
|
1988, Untitled |
|
1988, Untitled |
|
1988, Untitled |
|
1990, Golfo |
|
1990, Sleeping in Venice |
|
1990, Untitled |
|
1990, Untitled |
|
1991, Untitled |
|
1993, Cushion |
|
1994, Untitled |
|
1994, Untitled |
|
1997, Les Derniers Morceaux |
|
2000, Tenor |
|
2009, Mola I |
|
2013, Aliança |
|
2013, Armadilha |
|
2014, Mudança de jogo com corda de sisal |
|
2014, Rebolando no teto |
|
2017, Indeterminacy I |
|
2017, Indeterminacy III |
|
2017, No Control |
|
2017, Spray it |
|
2019, Liminality I |
|
2019, Liminality X |
No comments:
Post a Comment