Hilde Angel Danielsen was born in Northern Norway. Hilde has earned her Masters at Bergen National Academy of the Arts (KHIB) Norway and has been Confirmed Education assistant professor level Visual Art by Bergen Academy of Art and Design, Norway.
Hilde constructs geometric shapes. She uses light, shadow, perceptual displacements and optical instruments. Several of her works represent cessation of tyranny by providing translucency in massive materials. Her work plays with paradox and impossibility.. Play and humor are important to her work. Working to surprise the viewer Hilde uses well-known techniques and materials in a field of excitement between arts, crafts and architecture.
Graduated from the Bergen Academy of the Arts, with a major in specialization in the artistic use of bricks as building modules for sculpture and or an integral part of architecture. Major subject exhibition 2004. Hilde has held countless exhibitions around the world while receiving many grants, awards and publications throughout her career.
Her previous educational background is broad and long with the main emphasis on visual subjects; drawing, shape, color, textile design, photography, film-video, graphics and sculptural ceramics. As well as general study competence with music and society line.
Shework mainly with spatial art, site-specific installations, free-standing works of art and sculptural brick walls for art installation, architecture and landscape.
The idea of The Transparent Brick Wall is a separate initiated concept (artistic development work) that has emerged over a long period of time. The idea communicates far beyond the borders of Europe, to the United States, Oceania and Asia.
Constructions and geometric shapes composed of similar elements are something that is often repeated in her works, seeking to use light, shadow, perceptual shifts and optical means. Play and humor are important ingredients. Wants to surprise by using seemingly well-known techniques and materials in a field of tension between art, craft and architecture.
© 2021. All content on this blog is protected by international copyright laws All images are copyrighted © by Hilde A. Danielsen or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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| Ms. Hilde A. Danielsen |
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| Inside-Outside 2003 |
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| Cultural landscape in change, An entrance to an exit, Rolløya, Ibestad, 2005 |
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| Cultural landscape in change, An entrance to an exit, Rolløya, Ibestad, 2005 |
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| Brick, Rotterdam, 2007 |
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| B Open, Bergen, 2008 |
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| Bergen International Wood Festival 2008 |
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| Bird or Fish, Fiction and Facts 2008 |
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| Bird or Fish, Fiction and Facts 2008 |
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| Transparent brick 2008 |
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| In between 2009 |
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Upside Down II, Bergen International Woodfestival (BIWF) 2010
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| Urban Reality, Rural Fantacy, Pure Art 2010 |
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| Culture and Business Portal II 2011 |
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| Culture and Business Portal II 2011 |
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| Playing time, Barnas Kulturhus 2011 |
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Sculptural partition 2011
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| Spacious art for Rodeløkka kindergarten, Art in Oslo 2011 |
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| Upside Down II, Sculpture by the Sea, Aarhus 2011 |
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| Upside down again 2013 |
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| Upside down again 2014 |
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| Change of window 2016 |
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| Piken med tipien ved KRAFT 2017 |
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| Pentagon korridorene ved Campbelltown Campus, Western Sydney University 2018 |
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| Pentagon korridorene ved Campbelltown Campus, Western Sydney University 2018 |
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| Upside down again 2019 |
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| Upside down again, på St Olavs pir, Brattøra, Trondheim, 2019 |
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| Time goes by 2020 |
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| Time goes by 2020 |
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| Transparent Brick |
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| Transparent Brick |
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