Robert Montgomery (1972) is a Scottish-born, London-based poet, artist and sculptor known for his site-specific installations created from light and text, as well as his 'fire poems'. Montgomery works in a "melancholic post-Situationist" tradition, primarily in public spaces. He is regarded as a leading figure in the conceptual art world.
Some of his most famous public forms of poetry have been his white text on a black background pasted onto billboards around London as part of his belief that art and poetry should be taken out of the gallery and into the wider, everyday world be it on a billboard or a bus shelter. When asked by Dr James Fox in BBC Four's Who's Afraid of Conceptual Art? about what it was about the medium of words, rather than pictures that appealed to him, Montgomery replied "I think there's a certain slowness to words. I think we probably live in an age of accelerated image and we're bombarded with hundreds of images a day and in that context words can be a moment of quiet or pause."
He said, "The point of art, is to touch the hearts of strangers, without the trouble of ever having to meet them. But, if you can touch their hearts from a distance and help a little bit from your quiet studio then it's very nice."
Robert Montgomery was born in the village of Chapelhall, Scotland, to David and Janette Montgomery. Alongside his parents, Montgomery credits his high-school art teacher John McKerrell, who taught him art and art history. In an interview he said that "John McKerrell was a proper Dead Poets Society inspiring, amazing teacher who is kind of a genius...he taught me about art from top to bottom. He comes to my parents' house for Christmas dinner. He's still my best mate in Prestwick."
Another inspirational teacher was Mr Enoch Currie, who introduced him to celebrated poets such as Sylvia Plath and Ted Hughes. Montgomery recalls reading Philip Larkin's High Windows "when I was in third year and I still think a lot about the way Larkin writes when I write my billboards and text pieces."
Aged 16, Montgomery was accepted to study fine art at the Edinburgh College of Art. McKerrell later helped him to get through his first year exams at Edinburgh.
Montgomery left with a first undergraduate degree in painting and later obtained a Master of Fine Arts. While still a student he and John Ayscough applied for a grant from the Scottish Arts Council for their project, Aerial '94. They were awarded £40,000, but the grant was not intended for students, and was nearly withdrawn. Andrew Nairne (then Visual Director at the Scottish Arts Council) supported the aspiring artists, as a result the project went forward with the help of the grant.
From 1995 to 1997, Montgomery was the Core Program Artist in Residence at the Museum of Fine Arts in Houston Texas.
In his early career, Montgomery experimented with creating minimalist sculptures with elaborate poetic titles. Eventually, Montgomery dropped the sculptures all together and began to focus on the combination of verbal and visual presentation. In his initial works, Montgomery wrote poems on the sides of buses and on walls with spray paint, wanting to follow closely in the footsteps of graffiti artists who made the city a "free space of diverse voices."
In 1999, Montgomery moved to London, where he worded for the magazine Dazed & Confused.
Often installed unauthorised amid industrial and urban sites, Montgomery's installations address universal themes such as power, love, and human kindness with sparse language and dramatic visuals. These text-based conceptual pieces categorised as recycled sunlight pieces, billboard pieces, fire poems, woodcut panels, and watercolors.[8] Montgomery's cryptic and emotionally resonant poetry comments on contemporary life and affirms his personal and philosophical beliefs, which he describes as "melancholic post-Situationist", a 20th-century antiauthoritarian Marxist movement.
Montgomery's famous black and white poems pasted on London billboards has, occasionally, provoked run-ins with the police. He was once put into the back of a police van after he pasted his poem for William Blake on a billboard in Bethnal Green. Montgomery recalled; "But I got into a conversation about literature and one of the police officers really engaged with it. I guess it was a lucky experience. I think most people wouldn't be averse to having a poem at the end of street instead of another Diet Coke ad."
One of his most famous and personal light pieces, People You Love, was written as a result of the sudden death of a close friend from art school called Sean Watson who died as a result of being hit by a car on the Edgware Road in 2004. This was the first real experience of grief Montgomery had felt in his adult life, hitting him badly. One night he had a dream that Watson was there and alive, when he woke up the following morning he says that he woke up happier than he'd gone to bed, which led him to thinking that "maybe this is what ghosts are, maybe ghosts are a positive thing."
THE PEOPLE YOU LOVE BECOME GHOSTS INSIDE OF YOU AND LIKE THIS YOU KEEP THEM ALIVE
Montgomery showed at the 2011 Venice Biennale and was selected to represent the UK at the first biennale in India - The Kochi-Muziris Biennale – in December 2012. He has also had solo exhibitions at venues in Europe and in Asia, including major outdoor light installations on the site of the old US Air Force base at Tempelhof. The first monograph of his work was published by Distanz, Berlin in 2015.
Process and inspiration
Montgomery was initially inspired by the graffiti artists of East London, the poetry of Philip Larkin, the philosophy of Guy Debord, and the French student protesters of May 1968. Montgomery became interested in the Situationist tradition while following the writing of Roland Barthes and Jean Baudrillard during his time at Edinburgh College of Art.[6] Montgomery also cites lyricists as important influencers, as his poems often mirror the tone and structure commonly used by song writers.[10] He often writes with a certain melancholy, stating that he is fascinated by the sentiment as the creation of beauty from sadness. Montgomery describes his process as being random and unpredictable: "You quite often get stuff at like 2 o'clock in the morning and kind of see what you've got. I quite like that process". In selecting a platform for his art, Montgomery was inspired by Jenny Holzer and Felix Gonzalez-Torres' use of billboard space.
In early 2016, Montgomery became a supporter for Julius Meinl with their 'Pay with a Poem' concept for World Poetry Day, whereby customers could, for one day only, have coffee at one of their branches and instead of money could pay for it by writing a poem; encouraging them to think about poetry as a form of self expression.
© 2021. All content on this blog is protected by international copyright laws All images are copyrighted © by Robert Montgomery. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
Note: I did not add title or date, let's have the poetry speak for itself
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