Monday, May 16, 2022

Artist of the Day, May 16, 2022: Ivan Puni, (Jean Pougny) a Finnish-born avant-garde artist

 Ivan Albertovich Puni (1892 –1956) was a Finnish avant-garde artist (Suprematist, Cubo-Futurist). He was also known by the western version of his name Jean Pougny

Ivan Puni was born in Kuokkala (then Grand Duchy of Finland in the Russian Empire) to a family of Italian origins. He was the grandson of an eminent Italian composer of ballet music, Cesare Pugni. His father, a cellist, insisted that he follow a military career, but Ivan instead decided to take private drawing lessons with Ilya Repin. By 1909, he had his own studio.

Puni continued his formal training in Paris in 1910–11 at the Académie Julien and other schools, where he painted in a derivative fauviste style. Upon his return to Russia in 1912, he married fellow artist Kseniya Boguslavskaya, and met, and exhibited with, members of the St Petersburg avant-garde, including Kazimir Malevich and Vladimir Tatlin. He made a second trip to Paris in 1914, returning to St. Petersburg in 1915. At this point, he began painting in a Cubist style reminiscent of Juan Gris. In 1915, Puni, (Aleksandra Ekster, Liubov Popova, Ivan Kliun, Ksenia Boguslavskaya, Olga Rozanova, Nadezhda Udaltsova, Nina Genke and others) formed Supremus, a group of artists dedicated to the promulgation of Suprematism, the abstract art movement founded by Malevich, and first exhibited at the 0,10 Exhibition. Malevich and Puni co-authored the Suprematist Manifesto, published in 1916, which proclaimed a new, abstract art for a new historical era.

Puni also organized the exhibitions Tramway 5 and 0.10, both held in St Petersburg in 1915, in which Malevich, Tatlin, Popova and others participated, and to which Puni contributed constructions, readymades, and paintings. In 1915-1916 Puni, together with other Suprematist artists, worked at Verbovka Village Folk Centre. In 1919, he taught at the Vitebsk Art School under Marc Chagall.

Puni and his wife, Kseniya Boguslavskaya, emigrated from Russia in 1919, first to Finland, then in 1920 to Berlin, where the first exhibition consisting entirely of his work was held at the Galerie der Sturm. While in Berlin, Puni also designed costumes and sets for theatrical productions, and published a book criticising Suprematism.

Puni and Boguslavskaya relocated to Paris in 1924, where his style changed once again to a variant of Impressionism. In France, he signed his work as "Jean Pougny", in an effort to distance his new art practice from his previous one in Russia. In 1946, Puni/Pougny became a French citizen. He died in Paris in 1956.

© 2022. All content on this blog is protected by international copyright laws All images are copyrighted © by Ivan Puni or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only

Ivan Puni
 Ivan Puni Self Portrait
Woman handling a ball, 1910
 Portrait of Artist's Wife, 1914
Portfolio L'Atelier, 1914-20
  Relief, 1915
Relief, 1915-16
Suprematist construction Montage, 1915-16
  Study for Relief Sculpture, 1916
 The bath, 1916
 As de pique sur fond vert, 1917-18
Whist (Ace of Clubs), 1917-18
 Cellist, 1919
 Composition aux lettres, 1919
Suprematist artist’s book with collages, cutouts and paintings, 1920 Petrograd
Suprematist artist’s book with collages, cutouts and paintings, 1920 Petrograd
Suprematist artist’s book with collages, cutouts and paintings, 1920 Petrograd
 Suprematist Relief-Sculpture, 1920
Contrebassiste Synthétique, 1920-22
 Autoportrait devant le miroir, 1921
 Composition pour sculpture, 1921
 Homme à la fenêtre, 1921
 Suprematist Sculpture, 1921
 The Synthetic Musician, 1921
 Portrait de Boris Schegoleff, 1927
 wood hand, 1930
 Arlequin, 1934
Abstract oil painting
Abstraction
Artist's Studio
Gouache and Russian Newsprint, Untitled
Gouache on paper
Relief with Saw
The watchmaker

 

1 comment:

  1. Just fantastic. I would love to have lived at those times.

    ReplyDelete