Louise Howard is a British fine art painter. She is inspired by the human form, paying particular attention to capturing melancholy and strength through the face. Having exhibited in Australia, California and London, Howard works in oils and strives to highlight the human condition in her works and explore the subject matter as an object of stillness and beauty without being attractive in the conventional sense.
Louise Howard currently lives in Perth but was born in the UK where she grew up drawing and painting from a young age — with her mum introducing her to oil paints at 16. Even though she tried different mediums, like clay and jewellery design, ultimately, painting has remained the mainstay and focus.
The artist wakes up early — beginning her day at 6.30pm with an Earl Grey and cuddles with her cat — before working intensively in the studio till 3pm. However, she always adds half an hour of critiquing, yet marvelling at her work. “It’s a habit that my husband finds a little more than bizarre,” Louise considers. “But, one I find necessary.”
A cool palette naturally arises with Louise’s artworks, and she’s used the same favourite colours for nearly 20 years: such as raw umber, raw Sienna, Prussian blue, titanium white and crimson red. But she shares, recently she’s been striving to mix more vibrant pinks and blues in her palette.
“Fine art has always been the constant for me, but I like to include elements of abstract into my paintings to add an edge to them — the goal is to marry the two styles effortlessly.”
The colour and shades are reflected in Louise’s melancholic, intimate tone in her work. “I prefer my subject to present a sober, almost sombre visage,” the artist reflects.Influences from Lucian Freud can be seen throughout, in which the balance of realism, like the detailed faces of her models, is abstracted through a layering of colours, line and texture in the backgrounds.
The tension on the canvas is built through the position of the models; their bodies curl up or turn away, revealing human strength and vulnerability. For Louise, capturing their emotions and nuances is critical to her art. “The myriad of emotions and characteristics that we embody can be at once the most beautiful and the most ugly thing, which is quite extraordinary,” she shares.
“When humans at their most vulnerable, exposed and immediate self, this is often when their true beauty emanates.”
Working on creating art is something Louise describes as innate. “Whenever there was a period in my life where I didn’t paint, I noticed that I’d feel quite down and wretched,” the artist reflects. “Painting seems to qualify and justify my being.”
Louise is currently working on her solo exhibition at The Wellington Gallery in Waterloo, Sydney before heading to London to work on pieces for her gallery representation in Scotland, Artpistol Gallery, and for the next Saatchi art fair in London.
© 2022. All content on this blog is protected by international copyright laws All images are copyrighted © by Louise Howard or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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| Ms. Louise Howard |
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| Milkshake |
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| Suki |
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| Woman in chair |
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| On high |
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| Sunday morning |
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| Woman Squatting |
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| One |
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| Sunday service |
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| Deliver |
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| Polyester |
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| Talcum Powder |
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| Dirty laundry |
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| Small beasts |
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| The Green Lady after Tretchikoff |
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| Alpaca |
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| Only you |
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| Take me home |
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| Man in chair |
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| Spill your guts |
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| Woman in bathtub |
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| Deuce |
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| Preamble |
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| Television |
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