Julio Fernández Larraz (1944) is a Cuban artist. He has lived in the United States since 1961. He first worked as a political caricaturist and cartoonist, signing his work Julio Fernandez. In the 1970s he began also to paint, and changed his signature to Julio Larraz.
Julio Fernandez Larraz was born in Cuba. His family were owners of the Cuban newspaper La Discusión. In 1961, the year of the failed American invasion of Cuba, the family fled the island for Miami, Florida, later moving to Washington, D.C., and then to New York City. His caricatures of political figures such as Indira Gandhi, Golda Meir and Richard Nixon were published in Esquire magazine, in The New York Times, in Rolling Stone and in The Washington Post. A caricature of Nixon as Louis XIV, captioned "L'état, c'est moi", was used on the cover of Time magazine.
Work
Julio Larraz's first solo exhibitions was in 1971 at the Pyramid Gallery in Washington D.C. An exhibition of his work was held at the Boca Raton Museum of Art in Boca Raton, Florida, in 1998.
Collective exhibitions
In 1976 Larraz's work was chosen for Exhibition of Works by Candidates for Art Awards at the American Academy of Art and Letters/National Institute of Arts and Letters, New York. In 1985 Foire Internationale d’Art Contemporain (FIAC) was seen at the Grand Palais, Paris; and in 1992 Exposición arte cubano: Pasado y presente obra importante was exhibited at Gary Nader Fine Art, Coral Gables, Florida.
Awards
In 1975 Larraz won the Cintas Foundation Fellowship from the Institute of International Education, New York. In 1977 he was awarded the Acquisition Prize. Childe Hassam Fund Purchase Exhibition from the American Academy of Arts and Letters and Institute of Arts & Letters, New York.
© 2022. All content on this blog is protected by international copyright laws All images are copyrighted © by Julio Larraz or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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| Julio Larraz |
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| Mrs Wigram’s Hat, 1973 |
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| Four Lobsters in a Tub, 1984 |
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| The Trial, 1986 |
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| Strong Man, 1991 |
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| Critical Moment, 1995. |
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| Itinerant Oracle, 1997 |
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| La Ventana del Tiempo, 1998 |
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| Patria, 1999 |
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| Dress Rehearsal, 2001 |
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| To Whom it May Concern, 2001 |
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| A Bahia dos Espelhios, 2004 |
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| Brigadier G. Andres Malacara, 2004 |
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| Mr War, 2006 |
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| Swimmer, 2006 |
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| Above Suspicion, 2007 |
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| Armed & Dangerous, 2007 |
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| The Monroe Doctrine, 2008 |
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| The Bougainvillea Trade, 2010 |
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| El jefe de la policia secreta, 2011 |
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| La Fuga del Dictador, 2012 |
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| Homer the Blind Poet, 2015 |
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| On the Narragansett, 2015 |
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| The King, 2015 |
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| La Doyenne at La Maestranza, 2016 |
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| Only the Memory of His Poetry, 2016 |
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| The American Envoy Arriving Through The Sea of Flowers, 2016 |
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| The Return of The Prodigal Son, 2016 |
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| The Trail of Eridani, 2016 |
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| Sara and Gerald Entering Casabianca Through The Sea of Flowers, 2017 |
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| Casabianca Maritime Power, 2018 |
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| On her way to China, 2020 |
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| Viaticum, 2020 |
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| Exodo, 2022 |
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| Le Corsaire, 2022 |
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