Ivana de Vivanco is an emerging visual artist working primarily with painting, installation and sculpture. Her surreal paintings are often created using classical painterly techniques and are assembled from various visuals.
Her work has been exhibited in several solo exhibitions, including Pink Maneuver, Josef Filipp Galerie, Leipzig, Germany; Break a Leg!, Raum für drastische Maßnahmen, Berlin; GOOD LOOK, Archiv Massiv, Spinnerei, Leipzig; THE BIG NOSE: A Matter of Perspective or Perspective Matters, Weserhalle, Berlin, Recomposición, Galería Isabel Hurley, Málaga. Her work has also been exhibited in numerous group exhibitions including FEED, The RYDER Projects, Madrid; SUPER!, Kunsthalle Darmstadt, Darmstadt, Germany, Object is Meditation and Poetry, Grassimuseum, Leipzig, Sub 30, Museum of Contemporary Art Santiago, among others.
She graduated from the University of Chile, Santiago with a Bachelor of Fine Arts degree in 2011, she also studied painting under Gonzalo Díaz Cuevas, University of Chile (2012); Oliver Kossack, Art Academy of Leipzig (2013) and Annette Schröter, Art Academy of Leipzig (2014–2016).
Her work has been featured in several publications such as 100 Painters of Tomorrow published in London by Thames & Hudson and she has been a grant holder of DAAD, the Heinrich Böll Foundation, the Cultural Foundation of Saxony and in 2015 she was awarded with the Marion-Ermer-Prize for young artists in Germany.
© 2022. All content on this blog is protected by international copyright laws All images are copyrighted © by Ivana de Vivanco or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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| Ivana de Vivanco |
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| The Return of the Repressed, 2022 |
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| Santiago-Rayo, 2022 |
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| Friendly Conqueror, 2022 |
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| Female enlightenment – manual, 2022 |
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| Ekeka, 2022 |
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| The Partial Object House, 2021 London |
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| Temple of Inversion, 2021 |
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| Santiago's Slip, 2021 |
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| Holy Isabella, 2021 |
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| Captain Ann Carter, 2021 |
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| Swallowed Abstraction, 2020 |
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| Hanging around, 2020 |
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| Falling Eyes, 2020 |
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| Exhibition view- Super! 2020 Kunsthalle Darmstadt |
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| Exhibition view- GOOD LOOK, 2020 Archiv Massiv, Spinnerei Leipzig |
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| Dorian Pink, 2020 |
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| Cartesian Complex, 2020 |
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| Coming around, 2019 |
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| Study for a Happy Apocalypse, 2018 |
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| Odd breakfast, 2018 |
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| The Real Long-Necked Virgin: An Ancient Story in Three Acts, 2017 |
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| Study for A Classical Portrait in Miniature, 2017 |
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| Self-Portrait as an Ostrich Before Hiding its Head, 2017 |
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| Overture Sad Comedy, 2015 |
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