Eddie Rodolfo Aparicio's work focuses on the connections between Central America and Los Angeles, identifying multiple sites as a part of the same community and history as a crucial strategy of decolonial practice.
He has received numerous awards and has been shown in notable exhibitions at The Denver Art Museum (2022), Hessel Museum of Art (2022), The Hammer Museum (2021), El Museo del Barrio (2021), and Crystal Bridges Museum of American Art among others. He has had solo exhibitions at Commonwealth and Council, Los Angeles, CA; Páramo, Guadalajara, Mexico; and The Mistake Room, Los Angeles, CA.
© 2025. All content on this blog is protected by international copyright laws All images are copyrighted © by Eddie R. Aparicio or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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| Eddie R. Aparicio |
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| País mío no existes (My country you do not exist) 2019 |
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| A NonHuman Horizon, 2019 |
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| La ceiba me salvó (The Ceiba Saved Me), 2020 |
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| State of the Art, 2020 |
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| Estamos Bien - La Trienal, 2021 |
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| No Humans Involved, 2021 |
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| Pansa del Publico, 2021 |
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| Invitational Exhibition of Visual Arts. 2022 |
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| Operational Excellence, 2022 |
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| The New Bend, 2022 |
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| Where Things Happen #2, 2022 |
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| Where Things Happen #2, 2022 |
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| Who tells a tale adds a tail, 2022 |
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| Humane Ecology- Eight Positions, 2023 |
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| MOCA Focus, 2023 |
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| MOCA Focus, 2023 |
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| MOCA Focus, 2023 |
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| Resonant Earth, 2024 |
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| Whitney Biennial: Even Better Than the Real Thing, 2024 |
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| Abstract Futures, 2025 |
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| Prospect.6: The Future is Present, The Harbinger is Home, 2025 |
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