Claire Deleurme is an artist and glass sculptor living and working in France. Through her work, she mixes pâte de verre, paper and embroidery, in an attempt to question identity and memory from a sensitive and poetic viewpoint. Through both tactile and visual experiences, she addresses universal emotions, placing emphasis on disappearance, forgetting, and the fragility of life.
“Intimate expressions, my pieces are born of the dialogue with the materials, delicate and fragile,” said Deleurme, who tries to create a balance between transparency and opacity. “They are the reflections of my intuitions. Accurate timing and gests are primordial for my straightforward search to weave stories.”
Deleurme earned her National College Diploma in Visual Arts from École Supérieure des Beaux-arts de Cornouaille, France, and received her European Glass Fellows diploma with honors from Centre Européen de Recherches et Formation aux Arts Verriers, Vannes-le-Châtel, France. Most recently, she completed an internship in the glass department at Ikata, College of Crafts and Design in Ikaalinen, Finland. Her work has been exhibited in France, the Czech Republic, and in the U.S.
During her residency, she completed the third chapter of her project, Les langages silencieux: Histoire de brodeuses (“Silent language: Needleworker Stories”). This series takes a poetic look at women’s bodies, contemporary or absent, aiming to uncover the identities and memories of women. This third chapter reveals the “re-imagined history” of women through objects, primarily handkerchiefs, combined with pâte de verre, engraving, text, and photos.
Through my work, I question identity and memory from a sensitive and poetic viewpoint. My sculptures and graphic works are expressed though the body and its traces. Working toward understanding, I address universal emotions, speaking of disappearance, forgetting, and the fragility of life.
My works are both tactile and visual experiences. They appeal to the senses and sensory memories, revealing traces of both the visible and the invisible. Expressed using glass, fabric, and different types of paper, they balance transparence with opacity. Intimate expressions, my pieces are born of the dialogue with the materials, delicate and fragile. They are the reflections of my intuitions. Accurate timing and gests are primordial for my straightforward search to weave stories.
© 2026. All content on this blog is protected by international copyright laws All images are copyrighted © by Claire Deleurme, or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only

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| Ms. Claire Deleurme ... |
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| ... at work |
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| La chaise (The chair), 2004 |
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| La chaise (The chair), 2004 |
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| Carnet machine a ciudre, (Sewing machine, notebook) 2005-06 |
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| Carnet machine a ciudre, (Sewing machine, notebook) 2005-06 |
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| Collected: empreintes textile, (Collection: Tissue imprints), 2006 |
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| Collected: empreintes textile, (Collection: Tissue imprints), 2006 |
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| Parcours tactile (Tactile journey), 2006 |
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| Parcours tactile (Tactile journey), 2006 |
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| Gestes brodés (Embroidered gestures), 2012 |
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| Transmissions (Handed down) 2012 |
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Doloris, 2013 detail |
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| Doloris, 2013 |
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| Ce que pansent les vagues (Healed by the waves,) 2014 |
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| Ce que pansent les vagues (Healed by the waves), 2014 |
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| Généalogie de la douleur (The genealogy of pain), 2014 |
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| Généalogie de la douleur (The genealogy of pain), 2014 |
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Livre I (Book I), 2014 pâte de verre |
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| Résonance, 2014 |
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| Souffle I (Breath I), 2015-16 |
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| Gestes brodés I, 2016 |
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| Instant précieux (Precious moment), 2016 |
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| Les langages silencieux, Chapitre 4- Histoire de famille, 2021-22 |
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Chapter 4- Family history, 2021-22 installation MusVerre, Sars-Poteries, detail |
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Chapter 4- Family history, 2021-22 installation MusVerre, Sars-Poteries, detail |
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Chapter 4- Family history, 2021-22 installation MusVerre, Sars-Poteries, detail |
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Silent languages, Chapter 4- Family history, 2022 installation of 1000 glass thimbles |
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