Wednesday, September 2, 2020

Artist of the day, September 2, 2020: Lenton Parr, an Australian sculptor and teacher (#1083)

 Lenton Parr (1924 – 2003) was an Australian sculptor and teacher. Born in East Coburg, Victoria Lenton Parr spent eight years in the Royal Australian Air Force before enrolling to study sculpture at the Royal Melbourne Technical College (now RMIT University), then worked in England 1955–57 as an assistant to Henry Moore. There he was influenced by Reg Butler and Eduardo Paolozzi to work with enamelled steel structures, which was to become his lifelong specialty. After his return to Melbourne he showed at Peter Bray Gallery in 1957, and embarked on a career in art education.

Parr was Head of Sculpture at RMIT (1964–66), then Head of Prahran College of Technology in a $1.5 million building completed as he arrived. He appointed staff who became influential Australian art and was held in high esteem by staff, but his fine art philosophy clashed with the vocationally-oriented aims of the College Principal Alan Warren, who acted unsuccessfully to have him removed by advertising his job, prompting an inquiry by the Minister. Though his appointment at Prahran was upheld, he left, effective January 31, 1969, to take up the role of Principal at the National Gallery School (1969-1974), leading to his appointment as director (1974–84) of the Victorian College of the Arts when it replaced the Gallery School

He was a member of the Victorian Sculptors' Society and its seventh president. Around 1960 he joined with Clifford Last, Inge King, Vincas Jomantas and Teisutis Zikaras to form a splinter group which exhibited together as the 'Centre Five'. In 1967 the group split from the Society, which never recovered from the departure of so many of its prominent members.

In 1977 he was invested with the Order of Australia for his services to sculpture and the arts. He was awarded Honorary Doctorate in Arts (RMIT University) in 1992. A major monograph on his work was published in 1999. The Lenton Parr Library (Lenton Parr Music, Visual and Performing Arts Library—formerly Victorian College of the Arts Library) of the University of Melbourne was named for him.


© 2020. All content on this blog is protected by international copyright laws All images are copyrighted © by Lenton Parr or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only


Mr. Lenton Parr


 Flying man
1956

 Seated figure, reclining
1956

  Standing figure
1958

 Orion
1959

Plant forms
1959-60

Plant forms
1959-60

From the Orion Series
1960

 Agamemnon
1965

 Daedalus
1965

 Marina
1965

 Untitled
1965

 Untitled
1965

 Canopus
1966

 Customs House screen
1966

 Boonarong
1967-68

 Acherna
1969

 Untitled
1970

 Sierra
1976

 Vela
1978

 Andromeda
1984

 Pallas
1990

 Dione Miniature
1992

 Jarrow
2000

 Windhover
2001

 Fern Hill
2003

Tara
2003-04

 Vega
2012

Abstract
n.d.

Toliman
n.d.

Windhover
n.d.

Tuesday, September 1, 2020

Artist of the day, September 1, 2020: Katsumi Komagata, a Japanese graphic designer (#1082)

Katsumi Komagata (1953) is a graphic designer born in Japan in the Shizuoka region. After having been the assistant to the poster designer Kazumasa Nagaï, he left to work in the United States for CBS in New York from 1977. In 1981, he won the silver medal from the New York Art Directors Club. In 1983, Katsumi Komagata returned to Japan and worked on visual identity and in fashion, for Comme des Garçons, Zucca, and artistic director for the photo magazine Deja Vu.

In 1986 he founded his own graphic design studio, One Strok], which would also become his publishing house.

Following the birth of her daughter Aï in 1989, Komagata designed her first children's books.

In 1992, he exhibited his books for the first time at the Niigata museum, then the complete series in Osaka in 1993, and in France in Villeurbanne in 1994 then toured in Portugal, Italy, Switzerland, New Caledonia, Reunion Island, Korea, France and Japan.

Since 1993, he has been an active member of the Tokyo City Council for Environmental Improvement for Children.

In 2003-2004, he collaborated with the association Les Doigts qui rêve, les Trois Ourses and the Center Pompidou, and designed books for visually impaired children.

In 2005-2006, he designed the interior design and signage for the pediatric department of the new Kyushu hospital in Japan.

It was during his stay in New York that Katsumi Komagata discovered books by Bruno Munari and Leo Lionni. His growing interest in children's books will be experienced at the birth of his daughter Aï in 1990, for which he designs cards on which he inscribes games of shapes and colors, folds and cuts that will continue his sensitive and intellectual development. These cards will become in edited form ten booklets entitled Little Eyes.

Katsumi Komagata designs his first books from personal observation and experimentation with her daughter Aï. The books follow each other in order of progression, and accompany the intellectual and sensitive development of the child. Through his books he wishes to transmit to children the pleasure of reading but above all to make them independent.

For him, a children's book does not necessarily have to be a thick book, which must be adapted to the child so that it does not damage it. On the contrary, he wants the child to become aware of the fragility of the paper, to pay attention to it or to damage it, observe, repair, accept. For him, life is made up of wear and tear and that is why a book must be damaged to be consulted3.

It is also a way for him to question the book in itself, in its form and its narrative potential, that he wishes to deconstruct it: “A normal book has a beginning, a development and an end. But in normal life, there are unforeseen events. So I wanted to destroy the traditional form of the book."

In this material conception of the book exists in physical experimentation, looking, touching, feeling, the movement is then created by the reader who turns the pages of the book, circulates a current of air. He declares on this subject "I would like to carry out drawings to make feel the air, time and space.

Katsumi Komagata also made toys and mobiles. Block'N Block is a wooden game that divides several faces on 4 sides, similar to the toys of Fredun Shapur and Enzo Mari.

He also makes cut-out paper mobiles that he edits for the French children's toy company Djeco.


© 2020. All content on this blog is protected by international copyright laws All images are copyrighted © by Katsumi Komagata. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only

 


Mr. Katsumi Komagata


From the "LITTLE EYES" series
1990-92


From the "LITTLE EYES" series
1990-92

 A Cloud 
2007

 A Cloud 
2007

 A Cloud 
2007

 Little tree (petit arbre)
2008

 Little tree (petit arbre)
2008

 Little tree (petit arbre)
2008

 Color puzzles
2013

Oscar
2014

When the Sun Rises book for impair color vision
2015, Storyboard

When the Sun Rises book for impair color vision
2015, cover

When the Sun Rises book for impair color vision
2015

When the Sun Rises book for impair color vision
2015

When the Sun Rises book for impair color vision
2015

When the Sun Rises book for impair color vision
2015

When the Sun Rises book for impair color vision
2015

When the Sun Rises book for impair color vision
2015

When the Sun Rises book for impair color vision
2015

When the Sun Rises book for impair color vision
2015

「Ichigu」
2015

「Ichigu」
2015

「Ichigu」
2015

「Ichigu」
2015

「Ichigu」
2015

 Go around
2016

 Sound Carried By the Wind
2017

Play with colors