Saturday, April 27, 2019

Artist of the day, April 27: John Lopez, American sculptor (#678)

Sculptor John Lopez was born and raised on a ranch in Western South Dakota. His western and rodeo theme bronzes have been well received by the public and have sold all over the country from California to New York.

In the midst of a successful career in bronze sculpting, John Lopez discovered this exciting new direction: scrap iron sculpting. "I am never bored! I look forward to each new creation, and it is helping me grow and develop as an artist," he says.

This unusual detour started about two years ago, when his beloved aunt, Effie Hunt, died in a rollover car accident. Lopez moved to his widowed Uncle Geno Hunt's ranch to build a family cemetery; his aunt would to be the first laid to rest there.

Uncle Geno opened his home and welding shop to Lopez, who completed a fence around the cemetery, then ran out of material. The ranch is 35 miles from the nearest town or post office, so he went looking through the scrap iron on site. After some experimentation, he finished a gate into the cemetery, and then made a small angel peering over the top of the gate. The project gave him much personal satisfaction, and everyone who saw it was amazed at the result. A new career path was born in that cemetery. Not wanting to depart from his bronze casting expertise, John found a way to merge the two art forms into a new hybrid sculpture of everyday objects mixed with limited edition bronze castings. Hybrid Metal Art, a sculptural fusion of figurative and funk, a blend of iron and bronze.

In 2008 John placed his scrap iron monument of "Triceratops Cowboy" (a cowboy riding a Triceratops) in front of the Grande River Museum in Lemmon, SD. Later that same year John placed his scrap iron T-Rex in Faith, SD in honor of the largest T-Rex ever found by the name of Sue. If you find yourself in Hill City you might see a life-size hybrid metal horse sculpture John did that won the peoples choice award at the Sculpture in the Hills show in Hill City in 2009.

In 2000, the Pro Rodeo Hall of Fame commissioned John to create two bronze monuments for their sculpture garden. The first featured World Champion Calf Roper, Paul Tierney, on Coffee Jeff, a horse raised by John's Uncle Geno. The second monument featured Charmayne James on her famous horse Scamper.

© 2019. All images are copyrighted © by John Lopez. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only.


Mr John Lopez

The studio

Black Hawk (detail)

Black Hawk

Boss Cowman Square

Boss Cowman Square (detail)

Calumet

Colt of Many Colors

Dakotah

Fishing Cowboy

French Buffalo

Friesian

Hermes Horse

Hugh Glass

Hugh Glass (Detail)

Iron Star

Moose

Moose (detail)

Steam punk Octopus (detail)

Steam punk Octopus

Steampunk Owl

Steampunk Owl (detail)

T. rex

The Acrobat

The Acrobat (detail)

The City of Presidents: Grant

The City of Presidents: Roosevelt

The City of Presidents: JFK and JFK Jr

The Last Stand

The Last Stand (detail)

The Last Stand (detail)

The Last Stand (detail)

White Rhino

White Rhino (detail)

Wild West Buffalo

Friday, April 26, 2019

Artist of the day, April 26: Geoffrey Ricardo, Australian painter, sculptor, printmaking (#677)

Geoffrey Ricardo (1964) is an Australian contemporary visual artist whose work focuses on his sculpture and printmaking practice.

Ricardo was born in Melbourne, Australia. He is known for his Figurative work that centres around a narrative language, Ricardo works primarily in sculpture, printmaking, etching, lithography, & painting. He was the winner of the 2009 Lorne Sculpture Exhibition. He has been a regular artist in residence at the Art Vault Mildura. His paintings, prints and sculptures are represented at the Austrlaian National Gallery in Canberra, the Art Gallery of New South Wales, the Queen Victoria Museum and Art Gallery in Tasmania, the Holmes A'Court Collection in Wetern Australia, and other regional galleries and institutions. His work is also in Many private collections.

Geoffrey Ricardo, printmaker and sculptor, employs aquatinting the entire plate and using a scraper or burnishing tool to reveal an image, usually a parable of human folly. His exhibition, A dark city narrative (2001), revealed large, complex parables of contemporary city life crammed with incident.

© 2019. All images are copyrighted © by Geoffrey Ricardo. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only.



Mr Geoffrey Ricardo

1987, Ark

1990, Kites

1990, The Game Insane

1992, Evolve

1992, Game bag

1992, Land of the Giants

1992, Scarecrow

1992, Shroud

1993, Ballad #11

1993, Ballad Two

1993, Heart

1993, I Live and Expire (Study)

1994, Emblem

1992, Jackass

1994, Love Speaker

1994, Ramshackle

1994, The Elephant Gingham

1995, Nocturne

1996, A Bum Steer

1996, Homage to Atalaya

1996, The Galvanised Sea

1997, 144

1997, Ballad

1997, Senewbald

1997, The Cellular City

1997, The Long Snake

1998, Gymkana

1998, Self portrait

1999,  Untitled

1999, Illuminated City

1999, Love Street

1999, The Urbane Heart

2000, Untitled

2007, Forward backward

2018, The Articulations

Aircraft

Going Home

Hand Coloured

1992, Naturalists

Ramshackle

Scissors-paper

Sprinter's Spell

Three-Headed Man

1007, Veneer Deer