Friday, November 27, 2020

Artist of the Day, November 27, 2020: Diane Arbus, an American photographer (#1157)

Diane Arbus (1923-1978) was an American photographer best known for her intimate black-and-white portraits. Arbus often photographed people on the fringes of society, including the mentally ill, transgender people, and circus performers. These images were later shown in The Museum of Modern Art’s exhibition “New Documents” (1967)

Interested in probing questions of identity, Arbus’s Identical Twins, Roselle, New Jersey (1967), simultaneously captured the underlying differences and physical resemblance of twin sisters. “A photograph is a secret about a secret. The more it tells you the less you know,” she once mused. Born Diane Nemerov on March 24, 1923 in New York, NY, she was raised in a wealthy family, enabling her to pursue artistic interests from an early age.

She first saw the photographs of Mathew Brady, Paul Strand, and Eugène Atget, while visiting Alfred Stieglitz’s gallery with her husband Allan Arbus in 1941. During the mid-1940s, the married couple began a commercial photography venture that contributed to Vogue and Harper’s Bazaar.

Burned out on commercial work by the 1950s, Arbus began roaming the streets of New York with her camera, documenting the city through its citizens. These images were later shown alongside those of Garry Winogrand and Lee Friedlander in The Museum of Modern Art’s exhibition “New Documents” (1967).

Having struggled with depressive episodes throughout her life, Arbus committed suicide at the age of 48. In 1972, a year after her death, the first major retrospective of Arbus’ work took place at the Museum of Modern Art in New York. Today, her works are held in the collections of the Metropolitan Museum of Art in New York, the National Gallery of Art in Washington, D.C., and the Los Angeles County Museum of Art, among others.

© 2020. All content on this blog is protected by international copyright laws All images are copyrighted © by Diane Arbus or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only


Ms. Diane Arbus

 Two girls on the beach
Coney Island, N.Y., 1958

 Stripper with bare breasts sitting in her dressing room
Atlantic City, N.J. 1961

 Child with Toy Hand Grenade
Central Park, NYC, 1962

 triplets in their bedroom
1963

 Waitress, Nudist Camp
NJ, 1963

 Lady bartender at home with a souvenir dog
New Orleans, La., 1964

 Mia Villiers-Farrow on a bed
1964

 Mae West in a chair at home
Santa Monica, 1965

 Young couple on a bench
Washington Square, NYC. 1965

 A Young Man in Curlers at Home 
West 20th Street, NYC, 1966

A Woman with Pearl Necklace and Earrings
N.Y.C., 1967

Boy With a Straw Hat Waiting to March in a Pro-War Parade
NYC, 1967

Identical twins
Roselle, NJ, 1967

A Naked Man Being a Woman
NYC, 1968

Girl in her circus costume
Maryland. 1970

 Jewish giant at home with his parents
The Bronx, NYC, 1970

Masked Woman in a Wheelchair
Pennsylvania, 1970

Mexican Dwarf in his Hotel Room
NYC, 1970

 Untitled #6
1970-71

Untitled #21
1970–71

Untitled #28
1970-71

 A woman with her baby monkey
N.J. 1971

Jayne Mansfield Climber Ottaviano, actress, with her daughter Jayne Marie
n.d.

Nothing is ever the same as they said it was
n.d.

 

 

Thursday, November 26, 2020

Artist of the day, November 26, 2020: Paul Soldner, an American ceramic artist (#1156)

Paul Soldner (1921-2011) was an American ceramic artist, noted for his experimentation with the 16th-century Japanese technique called raku, introducing new methods of firing and post firing, which became known as American Raku.

He served as an army medic during World War II and began to pursue a career in art upon returning to the United States. He earned degrees in art education and art administration from Bluffton College and the University of Colorado, then turned his attention to ceramics. He focused first on functional pottery.

In 1954, Soldner became Peter Voulkos' first student in the nascent ceramics department at the Los Angeles County Art Institute (now the Otis College of Art and Design). As Soldner helped his teacher establish the program, he made several changes to the studio pottery equipment, which led to him founding Soldner Pottery Equipment Corp. in 1955, to market his inventions. He eventually held seven patents related to pottery equipment.

After receiving his MFA in ceramics in 1956, Soldner began teaching at Scripps College.

In the 1960s he helped found Anderson Ranch Arts Center in Snowmass, Colorado. He was also involved in starting the National Council on Education for the Ceramic Arts.

He developed a type of low-temperature salt firing. Along with Voulkos, Soldner has been credited with creating the "California School" of ceramic arts by combining Western materials and technology with Japanese techniques and aesthetics.

While teaching at Scripps College, he organized the Scripps Ceramics Annual - a nationally recognized ceramic exhibition. In addition, as a result of his lifelong friendship with ceramic collectors Fred and Mary Marer, Scripps became the fortunate recipient of the extensive Marer Collection of Contemporary Ceramics. In 1990, Scripps received an NEA Grant to research and organize and exhibition titled, "Paul Soldner:A Retrospective'" that travelled throughout the United States.

Soldner retired from Scripps in 1991. He lived and maintained studios in Aspen, Colorado and Claremont, California.


© 2020. All content on this blog is protected by international copyright laws All images are copyrighted © by Paul Soldner or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only


Mr. Paul Soldner

 Vessel #30, 1976

Untitled, 82-119, 1982

 Vase, 82-50, 1982

 Untitled, 83-14, 1983

 Untitled, 8550, 1985

 Untitled, 8626, 1986

 Vessel, 8619, 1986

 Pedestal Piece 898, 1989

 Pedestal Piece 989, 1989

Pedestal Piece 989, 1989

 Bronze Pedestal Piece, 1990

 Monoprint, 1990

Monoprint, 1990

 Pedestal Piece 9015, 1990

 Vase 9219, 1992

 Vase 9439, 1994

 Bowl 9554, 1995

 Pedestal Piece 9514, 1995

 Pedestal Piece 9656, 1996

 Pedestal Piece 9673, 1996

 Plate 9627, 1996

 Bowl 9745, 1997

 Bowl, 1998

Monoprint, 1999

Monoprint, 1999

 Pedestal Piece 996, 1999

Jar with butterflies, n.d.

Jar with butterflies, n.d.

Stoneware California Studio Pottery Vase, n.d.

Vase 27, n.d.

Vase 28, n.d.

Vase 29, n.d.