Diego María de la Concepción Juan Nepomuceno Estanislao de la Rivera y Barrientos Acosta y Rodríguez, known as Diego Rivera (1886–1957), was a prominent Mexican painter. His large frescoes helped establish the mural movement in Mexican and international art.
Rivera had numerous marriages and children, including at least one natural daughter. His first child and only son died at the age of two. His fourth wife was fellow Mexican artist Frida Kahlo, with whom he had a volatile relationship that continued until her death. He was married a fifth time, to his agent.
His passion for art emerged early on. He began drawing as a child. Around the age of 10, Rivera went to study art at the San Carlos Academy of Fine Arts in Mexico City. One of his early influences was artist José Posada who ran a print shop near Rivera's school.
In 1907, Rivera traveled to Europe to further his art studies. There, he befriended many leading artists of the day, including Pablo Picasso. Rivera was also able to view influential works by Paul Gaugin and Henri Matisse, among others.
Rivera had some success as a Cubist painter in Europe, but the course of world events would strongly change the style and subject of his work. Inspired by the political ideals of the Mexican Revolution (1914-15) and the Russian Revolution (1917), Rivera wanted to make art that reflected the lives of the working class and native peoples of Mexico. He developed an interest in making murals during a trip to Italy, finding inspiration in the Renaissance frescos there.
Returning to Mexico, Rivera began to express his artistic ideas about Mexico. He received funding from the government to create a series of murals about the country's people and its history on the walls of public buildings. In 1922, Rivera completed the first of the murals at the Escuela Nacional Preparatoria in Mexico City.
In the 1930s and '40s, Rivera painted several murals in the United States. Some of his works created controversy, especially the one he did for the Rockefeller family in the RCA building in New York City. The mural, known as "Man at the Crossroads," featured a portrait of Russian Communist leader Vladimir Lenin. The artist had reportedly included Lenin in his piece to portray the turbulent political atmosphere at the time, which was largely defined by conflicting capitalist and socialist ideologies and escalating fears surrounding the Communist Party.
In 1934, Nelson Rockefeller famously ordered the demolition of "Man at the Crossroads." Publish backlash against the Rockefellers ensued; after long proclaiming a deep dedication to the arts, the powerful family now looked both hypocritical and tyrannical. John D. Rockefeller Jr. later attempted to explain the destruction of the mural, stating, "The picture was obscene and, in the judgment of Rockefeller Center, an offense to good taste. It was for this reason primarily that Rockefeller Center decided to destroy it."
In the late 1930s, Rivera went through a slow period, in terms of work. He had no major mural commissions around this time so he devoted himself to painting other works. While they always had a stormy relationship, Rivera and Kahlo decided to divorce in 1939. But the pair reunited the following year and remarried. The couple hosted Communist exile Leon Trotsky at their home during this period.
Rivera returned to murals with one made for the 1940 Golden Gate International Exposition held in San Franciso. In Mexico City, he spent from 1945 to 1951 working on a series of murals known as "From the Pre-Hispanic Civilization to the Conquest." His last mural was called "Popular History of Mexico."
By the mid-1950s, Rivera's health was in decline. He had traveled abroad for cancer treatment, but doctors were unable to cure him. Rivera died of heart failure.
© 2020. All content on this blog is protected by international copyright laws All images are copyrighted © by the Estate of Diego Rivera or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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Mr. Diego Rivera |
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House over the Bridge 1909
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Portrait of Angelina Beloff 1909 |
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View of Toledo 1912 |
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The Adoration of the Virgin 1913 |
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Sailor at Breakfast 1914 |
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Two Women 1914 |
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Portrait of Marevna 1915 |
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Portrait of Martín Luis Guzmán 1915 |
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Zapatista Landscape 1915 |
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Motherhood - Angelina and the Child 1916 |
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Liberation of the Peon 1923 |
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The Maize Festival 1924 |
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Flower Festival 1925 |
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Flower Vendor (Vendedora de Flores) 1925 |
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Dance in Tehuantepec 1928 |
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The History of Mexico 1929-35 |
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Allegory of California 1930-31 |
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Agrarian Leader Zapata 1931
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The Flowered Canoe 1931 |
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The Making of a Fresco, Showing The Building of a City 1931 |
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The Rivals 1931 |
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The Uprising 1931 |
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Detroit Industry North 1932-33 |
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detail Man Controller of the Universe 1934 |
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Man Controller of the Universe 1934 |
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detail Man Controller of the Universe 1934 |
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The Flower Carrier 1935 |
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Self Portrait Dedicated to Irene Rich 1941 |
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Dance to the sun 1942 |
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Portrait of Natasha Gelman 1943 |
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Nude with Calla Lilies 1944 |
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Woman selling Calla Lilies 1944 |
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Tehuana (Bathing in the River) 1946 |
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Dream of a Sunday Afternoon in Alameda Central Park 1947 |
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The Watermelons |
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