Nancy Rubins (1952) is an American sculptor and installation artist. Her sculptural works are primarily composed of blooming arrangements of large rigid objects such as televisions, small appliances, camping and construction trailers, hot water heaters, mattresses, airplane parts, rowboats, kayaks, canoes, surfboards, and other objects. Works such as Big Edge at CityCenter in Las Vegas contain over 200 boat vessels. Stainless Steel, Aluminum, Monochrome I, Built to Live Anywhere, at Home Here, at the Albright-Knox Art Gallery in Buffalo, contains 66 used aluminum boats and rises to a height of 30 ft.
Rubins was born in Texas. Her family moved to Cincinnati before settling in Tullahoma, Tennessee. She studied at the Maryland Institute College of Art in Baltimore, Maryland, where she received her BFA in 1974, and then at the University of California, Davis where she received her MFA in 1976. Rubins taught at Virginia Common Wealth University and Florida State University in Tallahassee before moving to New York. In New York, along with teaching she ran a house painting business. Rubins resides in Topanga, California, and taught at the University of California, Los Angeles from 1982 to 2004.
In college, Rubins worked primarily with clay, creating igloo-like sculptures out of mud, concrete, and straw. She ended up at UC Davis finishing her MFA. Rubins avoided the characteristic permanence of ceramics with the constant disassembling of sculptures, collapsing her work back into the slip bucket or back into raw scraps. Her 1974 piece Mud Slip, Army-Surplus Canvas and Used Cups from Coffee Machine combined found materials with wet clay; it lasted only as long as the clay stayed wet. Her creation of unlikely assemblages grew as she began to incorporate more detritus and found materials into her work.
After college, Rubins taught night classes at City College of San Francisco and scavenged the local Goodwill and Salvation Army stores in San Francisco, where she was living at the time, collecting nearly 300 television sets for 25 to 50 cents apiece.
Rubins was privately commissioned to create her first public installation in 1980. Big Bil-Bored was a controversial artwork, voted "Ugliest Sculpture in Chicago" in a radio poll. Constructed of various discarded appliances, the installation towered forty-three feet high outside of the Cermak Plaza shopping center in Berwyn, Illinois. Soon after, Rubins was offered a commission for another public installation. In 1982, the Washington Project for the Arts funded Rubins's Worlds Apart,[4] a forty-five foot tall temporary installation composed of abandoned appliances, concrete and steel rebar. Her work overlooked the Whitehurst Freeway, blocks from the Watergate Building in Washington D.C., and again caused controversy. The sculpture was taken down as soon as the permit expired. While in Washington Rubins was contacted by artist Charles Ray to teach at UCLA where she met Chris Burden.
Rubins is perhaps best known for building sculptures out of salvaged airplane parts, such as an installation in 1995 for the Museum of Modern Art in New York; the piece weighed nearly 10,000 pounds. Already by the mid-1980s she had begun regularly using abandoned airplane parts in her work. Her contact for the plane parts was Bill Huffman in the Mojave desert. For durability, she chose aluminum, fiberglass and composites rather than wood. Rubins collaborated with husband Chris Burden on a number of projects, including an installation called A Monument to Megalopolises Past and Future at Los Angeles Contemporary Exhibitions (LACE) in 1987.
Rubins also started working with assembling discarded cast- aluminum playground structures. Most of these structures were built out of melted down WWII materials. These pieces were shown at the Gagosian gallery in 2014.
Rubins's work has been shown internationally. Her solo museum exhibitions include those hosted by Museum of Contemporary Art, San Diego (1994); The Museum of Modern Art, New York (1995); ARTPACE, San Antonio (1997); Miami Art Museum (1999); Fonds regional d'art contemporain de Bourgogne, France (2005); SculptureCenter, Long Island City, New York (2006); Lincoln Center, New York (2006); and Navy Pier, Chicago (2013). In 1993, Rubins was invited to participate in the Venice Biennale. She was included in the Whitney Biennial that same year.
© 2020. All content on this blog is protected by international copyright laws All images are copyrighted © by Nancy Rubins. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
 |
| Ms Nancy Rubins |
 |
| Clay Slip Army-Surplus Canvas and Used Cups from Coffee Machine, 1974 |
 |
| Big Urn 1978 |
 |
| Big Bill Bored 1980 |
 |
| Worlds Apart 1982 |
 |
| Another Kind of Growth 1988 |
 |
| Trailers & Hot Water Heaters 1992 |
 |
| Untitled 1993 |
 |
| Untitled 1997 |
 |
| Airplane Parts & Wire 1999 |
 |
| Chas 2002 |
 |
| MoMA Airplane Parts in Florence 2003 |
 |
| Study 2005 |
 |
| Big pleasure point 2006 |
 |
| Pleasure Point 2006 |
 |
| Untitled from Studies 2006 |
 |
| Untitled from Studies 2006 |
 |
| Untitled from Studies 2006 |
 |
| Untitled from Studies 2006 |
 |
| Drawing 2010 |
 |
| Monochrome I 2010 |
 |
| Drawing 2010-18 |
 |
| Monochrome I Built to Live Anywhere, at Home Here, 2011 |
 |
| Monochrome for Chicago 2012 |
 |
| Study Model (Monochrome for Paris) 2012 |
 |
| Our Friend Fluid Metal 2013 |
 |
| Our Friend Fluid Metal 2013 |
 |
| Our friend Fluid Metal 2014 |
 |
| Our Friend Fluid Metal 2014 |
 |
| Monochrome the public art program of The University of Texas at Austin, 2015 |
 |
| Monochrome 2015 |
 |
| Crocodylius Philodendrus 2016-17 |
 |
| Crocodylius Philodendrus 2016-17 |
 |
| Hog de la Ivy 2016-17 |
 |
| Agrifolia Major 2017 |
 |
| Agrifolia Majoris 2017 |
 |
| Big Edge CityCenter in Las Vegas, NV |
No comments:
Post a Comment