Monday, December 11, 2017

Artist of the day, December 11: William Berra, American painter

William Berra (1952) is an American painter of landscapes, figures, and still life. He is represented by galleries throughout the United States and his work is in many public and private collections. Berra has appeared in over 40 solo and group shows. William Berra lives in the foothills of the Sangre de Cristo Mountains north of Santa Fe with his wife, Alanna Burke, who is his business partner and a frequent model in his paintings.

Berra spent the 1980s primarily painting Northern New Mexico en plein air. He was influenced by the Macchiaioli painters of 19th century Italy, precursors to the French practitioners of Impressionism, and he experimented with techniques to achieve their effects. One technique was that of painting on a board shellacked with an orange base. The undercoating generally warms the painting, showing through where oil paint is applied sparingly. He also placed "complementary hues side by side for maximum visual vibration."

In the 1990s, Berra began to spend more time painting in the studio, developing material gathered in plein air sketches and photographs. He expanded his horizons and his subject matter, traveling and painting landscapes in Europe, Hawaii, and throughout North America. Italy became a favorite subject. In one project, Berra spent time in Rome seeking out views painted in the mid-19th century by a favorite artist, Jean-Baptiste-Camille Corot, and other plein air painters of Grand Tour subjects. The paintings from this project were the subject of a solo exhibition in 2001.

Berra also turned his attention increasingly to figurative work. Starting with oil sketches of his wife painted on location in Europe, he developed a style that presents ambiguous figures in abstract, unresolved landscapes. He began an ongoing series of beach scenes that have become increasingly simplified and abstracted in recent years. His nude series presents a female figure either in intimate domestic settings or on utterly abstracted backgrounds.



Mr William Berra

After the Storm
© 2017, William Berra

Another Adjustment
© 2017, William Berra

At the Uffizi, Florence
© 2017, William Berra

Campo San Zuccaria
© 2017, William Berra

Chapel East of Pienza Tuscany
© 2017, William Berra

Church at Picuris
© 2017, William Berra

Cloud Study
© 2017, William Berra

Column of St. Theodore
© 2017, William Berra

Curious Finches
© 2017, William Berra

Discovery
© 2017, William Berra

Dusk In the Forum
© 2017, William Berra

Enchanted
© 2017, William Berra

Evening Mist, Venice
© 2017, William Berra

Fields in Nambe, New Mexico
© 2017, William Berra

First One In
© 2017, William Berra

Fresh Day, Lake Como
© 2017, William Berra

Golden Morning, Venice
© 2017, William Berra

Heading Back
© 2017, William Berra

Marina Piccola
© 2017, William Berra

Midday Ride
© 2017, William Berra

Misty Morning, Villa La Massa
© 2017, William Berra

Monument Valley
© 2017, William Berra

Oh Beautiful for Halcyon Skies
© 2017, William Berra

Palazzo Ducale, Venice
© 2017, William Berra

Seaside Holiday
© 2017, William Berra

Seaside IV
© 2017, William Berra

Slow Going
© 2017, William Berra

Spring Break
© 2017, William Berra

St. Tropez
© 2017, William Berra

Study for Colors of Santorini
© 2017, William Berra

Study for Lesser Finch
© 2017, William Berra

Study for Tuscan light
© 2017, William Berra

Summertime at the Beach
© 2017, William Berra

Sunday Afternoon
© 2017, William Berra

Swimmer
© 2017, William Berra

Taos Pastures
© 2017, William Berra

The Daydream
© 2017, William Berra

Dive
© 2017, William Berra

Gathering
© 2017, William Berra

The Green Boots
© 2017, William Berra

The Wanderer
© 2017, William Berra

View From Cortona, Morning
© 2017, William Berra

Gravedona, Lake Como
© 2017, William Berra

St. Peter's and Castle
© 2017, William Berra

Villa d'Este
© 2017, William Berra

Winter, New Mexico
© 2017, William Berra

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