Wednesday, December 27, 2017

Artist of the day, December 27: Auguste Rodin, French Sculptor

François Auguste René Rodin (1840 –1917), known as Auguste Rodin was a French sculptor. Although Rodin is generally considered the progenitor of modern sculpture, he did not set out to rebel against the past. He was schooled traditionally, took a craftsman-like approach to his work, and desired academic recognition, although he was never accepted into Paris's foremost school of art.

Sculpturally, Rodin possessed a unique ability to model a complex, turbulent, deeply pocketed surface in clay. Many of his most notable sculptures were roundly criticized during his lifetime. They clashed with predominant figurative sculpture traditions, in which works were decorative, formulaic, or highly thematic. Rodin's most original work departed from traditional themes of mythology and allegory, modeled the human body with realism, and celebrated individual character and physicality. Rodin was sensitive to the controversy surrounding his work, but refused to change his style. Successive works brought increasing favor from the government and the artistic community.

From the unexpected realism of his first major figure – inspired by his 1875 trip to Italy – to the unconventional memorials whose commissions he later sought, Rodin's reputation grew, such that he became the preeminent French sculptor of his time. By 1900, he was a world-renowned artist. Wealthy private clients sought Rodin's work after his World's Fair exhibit, and he kept company with a variety of high-profile intellectuals and artists. He married his lifelong companion, Rose Beuret, in the last year of both their lives. His sculptures suffered a decline in popularity after his death in 1917, but within a few decades, his legacy solidified. Rodin remains one of the few sculptors widely known outside the visual arts community.

The Rodin Museum was opened in August 1919 in a Paris mansion that housed the artist's studio during his final years. After several years of reconstruction, the museum was reopened in 2015 on Nov. 12, Rodin's birthday. With much of its revenue supplied by the sale of bronze casts made from original molds, the space also features unearthed pieces from Camille Claudel, who was Rodin's lover/muse and worked as his assistant for some time. Their relationship is said to have inspired many of the artist's more overtly amorous works, including 1882's "The Kiss."


1870, Rose Beuret

1875-76,

1876-78, Vase des Titans

1879, Bellona

1879, Monumental Torso of the Walking Man

1880, Eve, plaster

1880, The Thinker, plaster

1880-81, Adam

1880-81, The Shade

1881, Le lion qui pleure

1881-82, Ugolino and His Sons

1882, L'Homme au nez cassé, petite tête

1882, Le Baiser, Grand Modèle

1882, Narcisse, (modeled about 1882, enlarged and retitled 1890)

1882, Narcisse

1882, The Falling Man

1882, ugolino

1883, Fallen Caryatid with Urn, (modeled 1883)

1884, Study of a Hand

1885, Eternal Springtime (Conceived 1884 cast 1885)

1885, Eve Eating the Apple

1885-86, Jean D'Aire, Second Maquette

1886, Burghers of Calais

1886,  The Kiss

1886, Invocation, (modelled 1886)

1886, Minotaur or Faun and Nymph

1887,  Pierre de Wiessant, Monumental

1887, Female Centaur (modeled 1887)

1887, Fleeting love

1887, Fugit Amor

1887, She Who Was the Helmet Maker's Once-Beautiful Wife

1889, The Burghers of Calais

1889, The Burghers of Calais

1890, Heroic bust of Victor Hugo

1890, Victor Hugo et les Muses

1891, Balzac

1891, The Fallen Caryatid

1895, Iris, Messenger of the Gods

1896, Youth Triumphant

1897, Final Study of the Monument to Balzac

1899, L'un des Bourgeois de Calais- Jean de Fiennes, vêtu, reduction

1900, The Walking Man

1900-05, Torso (A Study for Ariane without Arms)

1901-04, Portrait of a Man

1901-04, The Kiss

1903, The Thinker

1903, The Thinker

1903, The Thinker

1902, The Gates of Hell (Detail- The Thinker)

1906, he Hand of God

1907, The Walking Man, large version

1903, The Hand of the Devil

1908, Shock

1908, The Cathedral

1909, Gustav Mahler

1910, Assemblage - nu féminin à tête de femme slave émergeant d’un vase

1910, Dance Movement

1911, Pair of Standing Nude Male Figures Demonstrating the Principles of Contrapposto

1917, La Porte de l’Enfer

1917, The Hand of Rodin

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