François Auguste René Rodin (1840 –1917), known as Auguste Rodin was a French sculptor. Although Rodin is generally considered the progenitor of modern sculpture, he did not set out to rebel against the past. He was schooled traditionally, took a craftsman-like approach to his work, and desired academic recognition, although he was never accepted into Paris's foremost school of art.
Sculpturally, Rodin possessed a unique ability to model a complex, turbulent, deeply pocketed surface in clay. Many of his most notable sculptures were roundly criticized during his lifetime. They clashed with predominant figurative sculpture traditions, in which works were decorative, formulaic, or highly thematic. Rodin's most original work departed from traditional themes of mythology and allegory, modeled the human body with realism, and celebrated individual character and physicality. Rodin was sensitive to the controversy surrounding his work, but refused to change his style. Successive works brought increasing favor from the government and the artistic community.
From the unexpected realism of his first major figure – inspired by his 1875 trip to Italy – to the unconventional memorials whose commissions he later sought, Rodin's reputation grew, such that he became the preeminent French sculptor of his time. By 1900, he was a world-renowned artist. Wealthy private clients sought Rodin's work after his World's Fair exhibit, and he kept company with a variety of high-profile intellectuals and artists. He married his lifelong companion, Rose Beuret, in the last year of both their lives. His sculptures suffered a decline in popularity after his death in 1917, but within a few decades, his legacy solidified. Rodin remains one of the few sculptors widely known outside the visual arts community.
The Rodin Museum was opened in August 1919 in a Paris mansion that housed the artist's studio during his final years. After several years of reconstruction, the museum was reopened in 2015 on Nov. 12, Rodin's birthday. With much of its revenue supplied by the sale of bronze casts made from original molds, the space also features unearthed pieces from Camille Claudel, who was Rodin's lover/muse and worked as his assistant for some time. Their relationship is said to have inspired many of the artist's more overtly amorous works, including 1882's "The Kiss."
Sculpturally, Rodin possessed a unique ability to model a complex, turbulent, deeply pocketed surface in clay. Many of his most notable sculptures were roundly criticized during his lifetime. They clashed with predominant figurative sculpture traditions, in which works were decorative, formulaic, or highly thematic. Rodin's most original work departed from traditional themes of mythology and allegory, modeled the human body with realism, and celebrated individual character and physicality. Rodin was sensitive to the controversy surrounding his work, but refused to change his style. Successive works brought increasing favor from the government and the artistic community.
From the unexpected realism of his first major figure – inspired by his 1875 trip to Italy – to the unconventional memorials whose commissions he later sought, Rodin's reputation grew, such that he became the preeminent French sculptor of his time. By 1900, he was a world-renowned artist. Wealthy private clients sought Rodin's work after his World's Fair exhibit, and he kept company with a variety of high-profile intellectuals and artists. He married his lifelong companion, Rose Beuret, in the last year of both their lives. His sculptures suffered a decline in popularity after his death in 1917, but within a few decades, his legacy solidified. Rodin remains one of the few sculptors widely known outside the visual arts community.
The Rodin Museum was opened in August 1919 in a Paris mansion that housed the artist's studio during his final years. After several years of reconstruction, the museum was reopened in 2015 on Nov. 12, Rodin's birthday. With much of its revenue supplied by the sale of bronze casts made from original molds, the space also features unearthed pieces from Camille Claudel, who was Rodin's lover/muse and worked as his assistant for some time. Their relationship is said to have inspired many of the artist's more overtly amorous works, including 1882's "The Kiss."
1870, Rose Beuret |
1875-76, |
1876-78, Vase des Titans |
1879, Bellona |
1879, Monumental Torso of the Walking Man |
1880, Eve, plaster |
1880, The Thinker, plaster |
1880-81, Adam |
1880-81, The Shade |
1881, Le lion qui pleure |
1881-82, Ugolino and His Sons |
1882, L'Homme au nez cassé, petite tête |
1882, Le Baiser, Grand Modèle |
1882, Narcisse, (modeled about 1882, enlarged and retitled 1890) |
1882, Narcisse |
1882, The Falling Man |
1882, ugolino |
1883, Fallen Caryatid with Urn, (modeled 1883) |
1884, Study of a Hand |
1885, Eternal Springtime (Conceived 1884 cast 1885) |
1885, Eve Eating the Apple |
1885-86, Jean D'Aire, Second Maquette |
1886, Burghers of Calais |
1886, The Kiss |
1886, Invocation, (modelled 1886) |
1886, Minotaur or Faun and Nymph |
1887, Pierre de Wiessant, Monumental |
1887, Female Centaur (modeled 1887) |
1887, Fleeting love |
1887, Fugit Amor |
1887, She Who Was the Helmet Maker's Once-Beautiful Wife |
1889, The Burghers of Calais |
1889, The Burghers of Calais |
1890, Heroic bust of Victor Hugo |
1890, Victor Hugo et les Muses |
1891, Balzac |
1891, The Fallen Caryatid |
1895, Iris, Messenger of the Gods |
1896, Youth Triumphant |
1897, Final Study of the Monument to Balzac |
1899, L'un des Bourgeois de Calais- Jean de Fiennes, vêtu, reduction |
1900, The Walking Man |
1900-05, Torso (A Study for Ariane without Arms) |
1901-04, Portrait of a Man |
1901-04, The Kiss |
1903, The Thinker |
1903, The Thinker |
1903, The Thinker |
1902, The Gates of Hell (Detail- The Thinker) |
1906, he Hand of God |
1907, The Walking Man, large version |
1903, The Hand of the Devil |
1908, Shock |
1908, The Cathedral |
1909, Gustav Mahler |
1910, Assemblage - nu féminin à tête de femme slave émergeant d’un vase |
1910, Dance Movement |
1911, Pair of Standing Nude Male Figures Demonstrating the Principles of Contrapposto |
1917, La Porte de l’Enfer |
1917, The Hand of Rodin |
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