Wednesday, September 22, 2021

Artist of the day, September 22, 2021: Diango Hernández, a Cuban artist, painter, sculptor (#1371)

 Diango Hernández (1970) is a Cuban artist who lives and works between Düsseldorf, Germany and Havana. From 1994 to 2003, Hernández was involved with Ordo Amoris Cabinet, which he co-founded with Ernesto Oroza, Juan Bernal, Francis Acea and Manuel Piña. Biography

Diango Hernández was born in Sancti Spíritus, Cuba. He attended boarding school in the countryside as a teenager, going on to study at the Havana Superior Institute of Design (ISDI) from 1989 to 1994 where he received a degree in industrial design. After a brief stint at an architecture firm, he went on to form a collaboration experience together with Ernesto Oroza, Juan Bernal, Francis Acea and Manuel Piña under the name of Ordo Amoris Cabinet (OAC; Latin, Order of Love). From 1996 until 2003 Ordo Amoris Cabinet comprised only Hernández and Francis Acea. The group created sculptural installations which incorporated various research methodologies to address social and cultural issues in Cuba. They exhibited widely throughout the Americas and Europe, and disbanded in 2003. It was at this time that Hernández left Cuba for Europe.

Hernández's first solo show after OAC's dissolution took place at Frehrking Wiesehöfer in Cologne. Entitled Amateur, it consisted of over 2,000 drawings created during his time in Cuba, which explored his everyday life and thoughts and mediated on the fragility and immediateness that drawing allows. Throughout his practice, Hernández has continued to explore fragility and incompleteness across various mediums.

His work draws heavily from his experiences and upbringing in Cuba and the culture of revolution. In 2006, for instance, Hernández had three shows entitled Spies (at Alexander and Bonin in New York), Traitors (at Pepe Cobo in Madrid), and Revolution (at Kunsthalle Basel) which he describes as "meticulously connected...the words 'revolution', 'spies' and 'traitors' are in the first place very familiar words or concepts to me and to my generation. All three of them have been repeated, printed and amplified millions of times by the Cuban officials...I wanted to take these big monumental words into my hands; I wanted to domesticate them. In Cuba printed or amplified politics can only be stopped if we shut our front door and switch off the radio and this is somehow what I did with these series of exhibitions; I finally moved from the streets to my living room."

Hernández’s works has been included at the 51st Venice Art Biennale (Arsenale, 2005), São Paulo Art Biennial (2006), Biennale of Sydney (2006), Kunsthalle Basel (2006), Munich’s Haus der Kunst (2010), London’s Hayward Gallery (2010) and more recently with a survey at the MART in Rovereto, Italy, (2011). Hernández currently lives and works in Düsseldorf, Germany.

© 2021. All content on this blog is protected by international copyright laws All images are copyrighted © by Diango Hernández. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only


 Diango Hernández

Galerie view

 Galerie view

Galerie view

2016, A broken summer idyll with sand, shells and water waves

2016, El sol allá en el mar

 2016, FELIX Arpartamento, el Mar (Apartment, the Sea )

2016, Fidel Castro's late revenge

2016, Hotel Sevilla

2016, Playas de Este (East Beaches)

2016, Theoretical Beach Installation

2016, Theoretical Beach Installation

2016, Theoretical Beach Installation

2016, Theoretical Beach Installation

2016, Tocandose el pelo (Touching hair)

2017 Amor Amor, installation view, Düsseldorf

2017, Dos naranjas y un platano (Two oranges and a banana)

2017, Piña, (Pineapple)

 2017, Amor Amor, installation view

2017, Dos platanos abrazados, (Two bananas hugging)

2017, from Art x Cuba installation

2017, from Art x Cuba installation

2017, Limón y platano (Lemon and banana)

2018 Mar Sol, (Sea Sun)

 2018, from group exhibition entitled “Lilia & Tulipan”

2018, In Addition

2018, Nuestra America (Our America )

2018, Solo un poquito (Just a little)

2018, Cascadas

2019, Gallery view, Rebel Standing Galerie

2019, installation- La Habana- Imágenes De Cinco Siglos
(Havana- Images From Five Centuries)

2020, In the center of the eye

 2020, Ojos benditos (Blessed eyes)

2020, Ojos salvajes (Wild eyes )

2020, Opened eye

2020, Parallel reimagining exhibition

2020, Stainglass Printemps



No comments:

Post a Comment