Navin Rawanchaikul (1971) was born in Chiang Mai, Thailand. As a child of parents of the Indian diaspora who migrated to Thailand during Partition, his ancestry lies in the Hindi-Punjabi communities of present-day Pakistan. After receiving his BFA from Chiang Mai University in 1993, Rawanchaikul founded the Chiang Mai–based Navin Production Co., Ltd., in 1994. Much of Rawanchaikul’s own work is produced under the name of this company, which also functions as an artists’ collective. Working in various mediums including sculpture, painting, performance, photography, and film, Rawanchaikul began his practice with community-driven projects aimed at integrating art into everyday contexts.
In Navin Gallery Bangkok (1995–98), Rawanchaikul questions modern methods of art making and exhibiting by converting an ordinary taxi into a mobile gallery featuring rotating exhibitions. The project was later executed in a number of international cities, including Sydney, London, Bonn, and New York, successfully attracting new audiences with the help of its unconventional format. Rawanchaikul’s practice often relies on collaboration, as in the tongue-in-cheek Navin Party (2006), which involved a touring multimedia exhibition featuring a Bollywood-style music video, a billboard advertisement, and a series of propaganda posters, all aimed at connecting people with the first name Navin. The multipart work comments on what the artist frames as the transitory nature of the modern world—revealed through the global occurrence of the Sanskrit-based name—as well as referencing the way in which artists can find their ethnic origins exploited for commercial gain. By involving the participation of real or imagined communities, Rawanchaikul’s practice transcends site-specificity to negotiate between local communities and globalization.
In 2010, Rawanchaikul was awarded the national Silapathorn citation from the Thai Ministry of Culture in the field of visual arts. His work has been featured in solo exhibitions at Contemporary Art Gallery, Vancouver; MoMA P.S.1 in collaboration with Public Art Fund, New York; Palais de Tokyo, Paris; Tang Contemporary Art, Bangkok; Tang Contemporary Art, Hong Kong; Ullens Center For Contemporary Art, Beijing; and Valentine Willie Fine Art, Singapore. He represented Thailand at the 54th Venice Biennale (2011). Rawanchaikul lives and works in Chiang Mai and Fukuoka, Japan.
© 2025. All content on this blog is protected by international copyright laws All images are copyrighted © by Navin Rawanchaikul or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only

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| Navin Rawanchaikul |
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| Navin Rawanchaikul |
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| There is no voice, 1995 |
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| M'art, 2002 |
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| M'art, 2002 detail |
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| Super (M)art : Bangkok Survivor, 2004-15 |
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| In search of the lost kingdom of Navin, 2007 |
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| Navin Party, 2007 |
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| Navins of Bollywood II, 2007 |
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| Ceramic bust holding a book, 2008 |
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| 2008 |
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| 2008 |
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| Long Heart, 2009 |
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Places of Rebirth, 2009 Detail
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| Places of Rebirth, 2009 |
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| 2009 |
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| 2010 |
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| Fly with me to another world, 2011 detail |
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| 2011 |
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| 2011 |
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| Super (M)art : Bangkok Survivor, 2015 detail |
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| Super (M)art : Bangkok Survivor, 2015 |
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| Super (M)art : Bangkok Survivor, 2015 |
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| Super (M)art : Bangkok Survivor, 2015 detail |
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| Super (M)art : Bangkok Survivor, 2015 detail |
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| Super (M)art : Bangkok Survivor, 2015 detail |
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| Super (M)art : Bangkok Survivor, 2015 detail |
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| Super (M)art : Bangkok Survivor, 2015 detail |
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| Super (M)art : Bangkok Survivor, 2015 detail |
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| 2016 |
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| 2016 |
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| 2016 |
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