John Grenville Stezaker (1949) is a British conceptual, collage artist. He attended the Slade School of Art in London in his early teens, he graduated with a Higher Diploma in Fine Art in 1973. In the early 1970s, he was among the first wave of British conceptual artists to react against what was then the predominance of Pop art.
Solo exhibitions for Stezaker were rare for sometime, however, in the mid-2000s, his work was rediscovered by the art market; he is now collected by several international collectors and museums.
His work is surreal in tone and is often made using collage and the appropriation of pre-existing images such as postcards, film stills, and publicity photographs. Art historian Julian Stallabrass said, "The contrast at the heart of these works [by Stezaker] is not between represented and real, but between the unknowing primitives of popular culture, and the conscious, ironic artist and viewer of post-modern images." One work included in an exhibition at Salama-Caro Gallery, London, in 1991, depicted an image of a punch clock together with the caption "Why Spend Time on an Exhibition Like This?" Colin Gleadell wrote in The Daily Telegraph in 2007 that Stezaker "is now being hailed as a major influence on the Young British Art movement," in reference to Young British Artists.
Until 2006, Stezaker was Senior Tutor in Critical and Historical Studies at the Royal College of Art in London.
© 2025. All content on this blog is protected by international copyright laws All images are copyrighted © by John Grenville Stezaker or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only

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| John Grenville Stezaker |
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| Lost Tracks II, 1976 |
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| Evolution (double-sided), 1996 |
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| Love XI, 2006 |
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| Marriage, 2006 |
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| Mask XIII, 2006 |
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| Mask ZIV, 2006 |
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| Untitled, 2007 |
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| Mask LXXVIII, 2007 |
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| Marriage, 2007 |
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| Betrayal (Film Portrait Collage) VIII, 2007-08 |
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| Betrayal (Film Portrait Collage) XI, 2007-08 |
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| He (Film Portrait Collage) II 2008 |
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| She (Film Portrait Collage) II, 2008 |
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| The Bridge (from the Castle Series) XXIV, 2008 |
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| Mask CL, 2010 |
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| He (Film Portrait Collage) XX, 2011 |
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| In dialogue with Marcel Broodthaers, 2011 |
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| Mask CXIX, 2011 |
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| She (Film Portrait Collage) XVII, 2011 |
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| Blind, 2012 |
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| Mask XXXV, 2012 |
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| Kisalala, 2013 |
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| Marriage LXXXVIII, 2013 |
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| Valley I, 2014 |
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| Pair XXVII, 2015 |
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| Mask (Film Portrait Collage) CLXXXVII 2016 |
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| Shadow 10, 2016 |
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| Untitled (Film Still Collage) LXIII, 2016 |
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| Camouflage I, 2018 |
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| Love, 2020 paperback cover |
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| Untitled, 2023 |
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