Zhu Tian (1987) a Chinese-born, London-based, Royal College graduate, won the 2015 Catlin Art Prize, which rewards emerging talents who have been out of art school for a year. A multi-disciplinary artist who subverts the every day and undermines the expected. She questions prevailing notions of power relations and asserts the identity of the individual, adroitly turning corporate or misogynist strategies back upon themselves in order to critique them. Moving effortlessly from object intervention to digital to performance to set piece installation, Zhu presents complex and engaging work that is challenging, layered and courageous.
© 2025. All content on this blog is protected by international copyright laws All images are copyrighted © by Zhu Tian or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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| Ms. Zhu Tian |
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| Things Could Be Different, But They Are Not Painting, 2011 |
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| Things Could Be Different, But They Are Not Painting, 2011 detail |
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| Controlled, 2012 Installation |
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| Work 001, II, 2012 Installation |
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| Babe, 2013 |
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| Dear Boss, 2014 |
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| Hiccup, 2014 |
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Hiccup, 2014
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| Scan, 2014 Screen prints on glass and vinyl |
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| A Partner, A Half Lover, Another Half Lover, 2015 |
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| Cling To A Curator, 2015 Performance for Photograph |
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| Cling To A Curator, 2015 Performance for Photograph |
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| Cling To A Curator, 2015 Performance for Photograph |
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| Cling To A Curator, 2015 Performance for Photograph |
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| Mother Died Today. Or Maybe Yesterday, I Don’t Know, 2015 Installation |
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| Such A Shame, 2015 |
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| Waiting Like A Prostitute, Half Ashamed Half Despairing, 2015 |
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| Waiting Like A Prostitute, Half Ashamed Half Despairing, 2015 |
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| Waiting Like A Prostitute, Half Ashamed Half Despairing, 2015 |
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| Work 002, 2015 Performance |
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| Work 002, 2015 Performance |
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| Work 002, 2015 Performance |
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| Left, Right, 2017 |
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| Work 003, 2017 |
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| Work 003, 2017 |
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| Work 005, 2017 |
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| Work 005, 2017 |
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| 24 Fingers, 2019 |
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| 24 Fingers, 2019 |
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