Monday, May 5, 2025

Artist of the Day, May 5, 2025: Émile Munier, a French painter (#2270)

 Émile Munier (1840 – 1895) was a French academic artist and student of William-Adolphe Bouguereau. He was born in Paris and lived with his family at 66 rue des Fossés, St. Marcel. His father, Pierre François Munier, was an artist upholsterer at the Manufacture Nationale des Gobelins and his mother, Marie Louise Carpentier, was a polisher in a cashmere cloth mill. Émile and his two brothers, François and Florimond, were talented artists and each spent some time at the Gobelins. At the factory Abel Lucas trained Munier as a draughtsman and he developed a close relationship with Lucas and his family, eventually marrying Lucas' daughter, Henriette. In 1867, Henriette gave birth to a son. Six weeks after the birth, having contracted severe rheumatism, Henriette died prematurely.

During the 1860s, Munier received three medals at the Beaux-Arts and in 1869 he exhibited at the Paris Salon. He became a great supporter of the Academic ideals and a follower of Bouguereau, whose subject matter would be an important inspiration to the young Munier. Bouguereau's quality of work and composition are reflected in Munier's artworks. The pair became close friends and Munier frequently visited Bougereau's studio; the latter used the nicknames "La sagesse" or "Le sage Munier". The glass designer Émile Gallé was another artist Munier was known to work with from around 1869.

Munier ceased work at the tapestry factory in 1871 and devoted his time solely to painting; he also began teaching classes to adults three nights a week. Leland Stanford, Jr., the only child of Governor Leland Stanford of California and his wife Jane Stanford, died aged fifteen in 1884, and during that year Munier was commissioned by Jane Stanford to immortalise their son by way of a painting. The oil on canvas entitled Angel comforting his grieving mother shows the boy with his hand on his mother's shoulder returning to earth as an angel to comfort her. Today, in the 21st century, the painting forms part of a display in the Cantor Centre for the Visual Arts at Stanford University.

In 1885 he painted, and exhibited at the Paris Salon, Trois Amis (Three Friends). This painting, representing a chubby girl playing on her bed with a kitten and a dog, was an extremely successful work, being reproduced in many forms and used for publicity posters by Pears soap. With this work, Emile asserted himself as one of 'the' painters of young children and their pets; it was eventually acquired by an American collector.

Among his many American patrons were Chapman H. Hyams and his wife, who were important collectors of contemporary French paintings during the nineteenth century and favoured artists like Henner, Bouguereau, Gérôme, Vinel and Schreyer. Munier painted their portrait in 1889, and it, along with much of their collection, is now in the New Orleans Museum of Art.

During the 1890s Munier continued to paint peasant, mythological and religious subjects; he also portrayed animals, scenes depicting fishing, landscapes and seascapes. Many of his works featured his children as his models, particularly his daughter. In 1893 he exhibited L'esprit de la chute d'eau, at the Paris Salon, a nude nymph which is not unlike Naissance de Vénus by Bouguereau.

In 1895 Munier painted La jeune fille et le panier de chatons, but on 29 June, a few weeks after his 55th birthday, he died.

© 2025. All content on this blog is protected by international copyright laws All images are copyrighted © by Émile Munier or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only


 Émile Munier
A la porte, circa 1870
Le retour du marché, circa 1873

Une jeune fille Italienne, circa 1874
The Peacock Fan, circa 1874
A Special Moment, circa 1874
La source, circa 1875
Mother and Child with a Kitten,  circa 1875
Revenant du jardin, circa 1875
Une petite tricoteuse, circa 1875
Girl with Basket of Cherries, circa 1877
Young Lovers Mocking Pan , circa 1877
Portrait of a Young Girl (After Bouguereau), circa 1878
En pénitence, circa 1879
Portrait de Marie-Louise, circa 1879
The Morning Meal, circa 1880
La Vierge en buste, circa 1881
May I?, circa 1881
Le jeune fille et la poupeé, circa 1882
Young Girl and Cat, circa 1882
A la Fontaine – Souvenir de Savoie, circa 1884
One More Please, circa 1886
Winter's catch, circa 1887
Pardon Mama, circa 1888
Reading Lesson, circa 1888
Girl with Basket of Oranges, circa 1889
Feeding the Doves, circa 1890
The Cherry Tree, circa 1890
Messenger of Love, circa 1891
Jesus, circa 1891
Un sauvetage, circa 1894

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