Tuesday, December 2, 2025

Artist of the Day, December 2, 2025 : Tadanori Yokoo, a Japanese graphic artist (#2433)

One of the few surviving members of the first generation of Pop international artists, Tadanori Yokoo (1936) has left an indelible mark on the aesthetic and cultural exchanges between Japan, Europe, and the U.S. since the 1960s.  Appropriating and intermixing Western and traditional symbols, Yokoo’s subversive poster designs were instrumental in the development and dissemination of a new iconography for post-war Japan. 

Moving to Tokyo in 1960 to pursue his passion for painting and a career in graphic design, Yokoo quickly became a rising figure within the Japanese avant-garde. Working across disciplines and continents, Yokoo counted many renowned creative minds –– within Japan, such as the poet Yukio Mishima, and in his visits to New York, figures such as the artist Jasper Johns –– among his many points off connection.

 By 1972, Yokoo had achieved widespread international recognition and was exhibiting widely at a number of prestigious institutions including a solo exhibition, Graphics of Tadanori Yokoo, at the Museum of Modern Art, New York. During this time, his commercial work included designing album covers for Miles Davis and Santana, among others, while maintaining a private practice of painting.

 Yokoo’s work has been the subject of countless solo exhibitions and is held in the permanent collections of key institutions including the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; the Museum of Fine Arts, Boston; the Fondation Cartier, Paris; the Victoria and Albert Museum, London; and the Stedelijk Museum, Amsterdam.  Since albertz benda opened in 2015, the gallery has presented two exhibitions of Yokoo’s paintings spanning from the 1980s to the present.

© 2025. All content on this blog is protected by international copyright laws All images are copyrighted © by Tadanori Yokoo  or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only

Tadanori Yokoo

16th Exhibition Of Japan Advertising Artists Club, 1956-66
Vocal Group Niji, 1964
Smiling mouth with moustache, Recital at Kyoto Festival Hall, 1964
B-1/B-2, 1964

Poster, 1965
Made in Japan, 1965
The City And Design, 1965
Asahi Beer, 1966
Koshimaki-Osen, 1966
Poetry By Mutsuo Takahashi, 1966
Takarazuka, Grand Revue, 1966
The Rose-Colored Dance, A La Maison De M. Civecawa, 1966
Yukio Mishima, The Aesthetics of End, 1966
Ballad Dedicated To An Amputated Little Finger, 1967
Design (Japan) 108, 1968
Design (Japan) 109, 1968
Design (Japan) 110, 1968
Poster for a Happening, 1968
This is America, 1968
Yakuza Films: One Movement of Postwar Japanese Cinema, 1968
Yui Shôsetsu, 1968
Koshimake Osen, Fire in a Long-sleeved Kimono, 1969
Graphis 171, 1974 cover
Special issue of story 100th anniversary special edition, 1974
Graphis 188, 1976 cover
Musée De La Publicité, 1983
Are You Ready for Foods, advertisement for a Chinese restaurant? 1989
Idea Special Issue, 1995
Angel, 1996
Idea 342, 2010

No comments:

Post a Comment