Sarah Lucas (1962) is an English artist. She is part of the generation of Young British Artists who emerged during the 1990s. Her works frequently employ visual puns and bawdy humour by incorporating photography, collage and found objects.
Sarah Lucas is known for her kinesthetic photographs, performances, and sculpture. Appropriating commonplace materials, the artist creates crude and often inflammatory comments on sexuality, death, and gender. She is recognized as among the most prominent members of the Young British Artists alongside Damien Hirst, Tracey Emin, and Gary Hume. Born in London, United Kingdom, she studied at the Working Men's College, the London College of Printing, and Goldsmith's College where she received her BFA in 1987. The artist rose to prominence and critical acclaim during the late 1980s. Her work has been exhibited at the Walker Art Center in Minneapolis and the Tate Liverpool. In 2015, Lucas represented the United Kingdom at the Venice Biennale, where she exhibited her controversial installation I SCREAM DADDIO. The artist currently lives and works in London, United Kingdom. Her works are in the collections of the Museum of Contemporary Art in Chicago, The Museum of Modern Art in New York, and the Centre Georges Pompidou in Paris.
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| Ms. Sarah Lucas |
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| Five Lists, 1991 |
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| Au Naturel, 1994 |
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| Get Hold of This, 1994 |
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| Bunny Gets Snookered #8, 1997 |
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| Got a Salmon On #3, 1997 |
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| Pauline Bunny,1997 |
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| The Old In Out, 1998 |
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| Cigarette Tits [Idealized Smokers Chest II], 1999 |
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| Beyond the Pleasure Principle, 2000 |
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| Sex Baby Bed Base, 2000 |
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| t's Not the End of the World (Remember Me), 2003 |
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| Oh! Soldier, 2005 |
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| Concrete Boots, 2005 |
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| Cherub, 2006 |
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| Souffle, 2007 |
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| NUD 18, 2009 |
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| NUD Cycladic #6, 2010 |
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| NUD Cycladic #14, 2010 |
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| Oboddaddy I, 2010 |
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| Lounger I, 2011 |
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| Moon, 2011 |
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| Nice Tits, 2011 |
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| Nahuiolin, 2013 |
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| NUD, 2013 |
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| Edith, 2015 |
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| Me (Bar Stool), 2015 |
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| CO-YO-TE-COJO, 2017 |
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| Good muse, 2017 |
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| Titti Doris, 2017 |
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| Cross Doris, 2019 |
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| O YOKO O, 2019 |
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