For the past decade, multidisciplinary artist Ebun Sodipo (1993) has been assembling a Black trans archive for future generations. Her large-scale collages combine images sourced from films, social media, and historical records to visualize factual and imagined narratives of Black transness. Guided by a her interest in feminism, Sodipo layers images that transform and recontextualize notions of trans identity intersecting with desire, sexuality, beauty, race, and rage. At Art Basel, her collages, constructed from resin and paper and mounted on shimmering Mylar, will refract dappled light across the vitrine in which they will be shown as part of the city-wide Parcours sector.
© 2025. All content on this blog is protected by international copyright laws All images are copyrighted © by Ebun Sodipo or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
 |
| Ebun Sodipo |
 |
| The smile of a cheshire cat promises, 2023 |
 |
| The legendary Aaron Phillips, 2023 |
 |
| That procedure] is not covered by your insurance, 2023 |
 |
| I’ll Never be Your Western Fantasy, 2023 |
 |
| I Am A Woman [and] I Feel Great, 2023 |
 |
| A wet heat, 2023 |
 |
| Let the body be a blade, 2023 |
 |
| I’m just a woman, an ordinary person, 2024 |
 |
| comfort begot by blood, 2024 |
 |
| E mostrava os pietos, 2024 |
 |
| I worry that you’ll work in an office, 2024 |
 |
| Sin Centre, 2024 |
 |
| Sugar, 2024 |
 |
| A Sentimental Place Parcours, 2023 Art Basel, Basel |
 |
| A Sentimental Place Parcours, 2023 Art Basel, Basel |
 |
| An Ominious Presence, 2025 |
 |
| I killed my old self, 2025 |
 |
| I love you so much, 2025 |
 |
| It won’t save me, 2025 |
 |
| Regrets, 2025 |
 |
| Soft Opening, March 2025 |
 |
| The sorcery of magnification 2025 |
 |
| Wet Memories, 2025 |
 |
| What if Laure Was / A Black Goddess Come to Earth, 2025 |
 |
| Traces of the Non-Existent, 2025 |
 |
| Traces of the Non-Existent, 2025 |
 |
| Traces of the Non-Existent, 2025 |
No comments:
Post a Comment