Ernst Ludwig Kirchner (1880–1938) was a prominent German Expressionist painter and printmaker who significantly shaped twentieth-century art. While completing an architecture degree in Dresden in 1905, the self-taught artist co-founded the influential collective known as Die Brücke, or "The Bridge." This revolutionary group became a foundational pillar of the Expressionist movement, driven by a shared desire to challenge traditional academic art standards.
Kirchner’s early professional development included a temporary relocation to Munich in 1904. There, he studied woodcut techniques inspired by historic masters like Albrecht Dürer. After returning to Dresden, his artistic direction was heavily influenced by primitive art encountered at the local Ethnographic Museum. This inspiration shaped his core creative output, including the paintings, murals, and furniture he produced for his collaborative workspace in the Friedrichstadt district.
In October 1911, Kirchner transitioned to Berlin, entering the most prolific and successful period of his career. His major works gained rapid traction, leading to participation in the 1912 Der Blaue Reiter exhibition and international exposure at the historic 1913 Armory Show in New York. This global momentum established his reputation as a key figure in modern European art.
The onset of the First World War marked a major turning point. Kirchner volunteered for military service but suffered a severe physical and mental breakdown. Declared unfit for active duty in 1915, he relocated to Davos, Switzerland, where he spent the remainder of his life working in relative isolation. Decades later, his innovative portfolio faced severe political opposition. The Nazi regime officially categorized his work as "degenerate" in 1933. This targeted campaign culminated in 1937 with the systematic removal, sale, or destruction of over 600 of his artistic creations from public view.
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| Ernst Ludwig Kirchner |
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| Self-portrait, 1925 |
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| Female Nude with Foliage Shadows, 1905 |
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| Dancers, 1906 |
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| Doris with Ruff Collar, 1906 |
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| Sitting Woman (Dodo), 1907 |
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| Female Nude, 1908 |
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| Nudes, 1908 |
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| Woman with Black Hat, 1908 |
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| Head of a Woman, 1909 |
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| Marzella, 1909–10 |
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| Naked Playing People, 1910 |
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| Fränzi in front of Carved Chair, 1910 |
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| Bohemian Forest Lake, 1911 |
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| Nollendorfplatz, 1912 |
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| Street, Berlin, 1913 |
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| Two Women with a Washbasin (The Sisters), 1913 |
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| Berlin Street Scene, 1913-14 |
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| Three Bathers in the Sea, 1914 |
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| Brandenburg Gate, 1915 |
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| Self-Portrait as a Soldier, 1915 |
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| At the Table, 1916 |
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| Self-portrait as a Sick Person, 1917-20 |
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| The Sleigh Ride, 1923 |
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| Davos in Summer, 1925 |
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| View of Basel and the Rhine, 1927-28 |
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| Archers, 1935–37 |
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| Landscape in Graubünden with Sun Rays, 1937 |
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| Violett House in Front of a Snowy Mountain, 1938 |
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