Giovanni Battista Moroni (1524-1579) was an Italian Renaissance painter notable for his sober and dignified portraits. He was best known for his elegantly realistic portraits of the local nobility and clergy, he is considered one of the great portrait painters of sixteenth century Italy.
Moroni was a pupil of the local painter Moretto da Brescia, who strongly influenced Moroni’s manner in painting religious compositions. It is Moroni’s portraits that have earned him his importance, however, for he was one of the few Italian Renaissance artists who made portraiture their chief specialty. His portraits were mostly of the petty aristocracy and bourgeoisie of Bergamo. He also worked in Brescia and Trento, where he painted mostly religious works. One of his best-known works is The Tailor (1565–70). Moroni emphasized a sitter’s dignity and nobility by means of natural, unforced poses and masterful compositions and infused his portraits with physiognomic individuality and psychological depth. Despite their impassive facial expressions, many of his portraits impart a sense of gentle melancholy that is reinforced by predominantly gray tonalities and by a restrained treatment of the textures of cloth and draperies. Moroni’s simple yet subtle style of portraiture was clearly influenced by that of Titian, who himself commended Moroni’s work. Among Moroni’s other more-notable portraits are the Portrait of Pietro Secco Suardo (1563) and the Portrait of Gian Gerolamo Grumelli (c. 1560).© 2020. All content on this blog is protected by international copyright laws All images are copyrighted. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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1520, Portrait of a Man
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1550, Bust of Isotta Brembati |
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1550, Portrait of a Man and a Boy (Count Alborghetti & Son) |
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1550, Portrait of an Unknown Woman |
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1552, Portrait of the sculptor Alessandro Vittoria |
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1553, Portrait of a Man |
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1553, Portrait of Bartolomeo Bonghi |
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1555-60, A Gentleman in Adoration before the Baptism of Christ
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1555-60, Portrait of a Soldier |
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1555, Isotta Brembati
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1555, The Vestal Virgin Tuccia |
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1556, Portrait of a Lady |
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1557, Abbess Lucrezia Agliardi Vertova
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1557, Martyrdom of Saint Peter of Verona |
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1559-60, Portrait of a Lay Brother |
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1559, Canon Ludovico Di Terzii |
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1560, A Gentleman in Adoration before the Madonna |
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1560, Gian Gerolamo Grumelli
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1560, Portrait
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1560, Portrait of Don Gabriel de la Cueva |
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1560s, Portrait of a Camaldulense Friar |
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1563, Portrait of a Gentleman (traditionally called Giulio Gilardi) |
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1565, Ritratto di Antonio Navagero |
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1569, The last supper |
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1570-75, The Tailor |
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1570, Bust Portrait of a Magistrate |
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1570, Portrait of a Man holding a Letter |
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1570, Portrait of a Young Woman |
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1570, Ritratto di bambina di casa Redetti |
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1572, Portrait of a Man With Raised Eyebrows |
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1575, Portrait of a Young Woman |
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1575, Titian's Schoolmaster |
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1578, Mystical apostasy of St. Catherine of Alexandria |
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