Saturday, October 19, 2019

Artist of the day, October 19, Richard Hamilton, an English painter and collage artist (#816)

Richard Hamilton (1922– 2011) was a British painter and collage artist, and one of the earliest progenitors of Pop Art. Hamilton, who was born in London, England, took evening art classes before studying painting at the Royal Academy School in 1938. He left school to work as an industrial designer. Returning to the academy in 1946, Hamilton was later expelled for not following the directions of his instructors. He continued his education at Sade School of Art in London, from 1948 to 1955.

Starting in 1948, Hamilton found himself heavily influenced by the works of James Joyce and Marcel Duchamp. Hamilton did the illustrations for James’s book Ulysses. Hamilton began to exhibit his work at the Institute of Contemporary Arts in London, where Eduardo Paolozzi displayed his collage work. His first major work in collage was titled Just What Is It That Makes Today’s Homes So Different, So Appealing? (1956). The collage shows a nude couple, cut from the pages of a magazine relaxing among images of modern convenience.

Hamilton found himself focusing more on everyday popular culture, and he began to produce work that defined that culture in his own words, such as Popular, Transient, Expendable, Low Cost, Mass Produced, Young, Witty, Sexy, Gimmicky, Glamorous, and Big Business.  The well-known Portrait of Hugh Gaitskell as a Famous Monster of Filmland (1964) was done in response to the snobbish dismissal the upper class showed toward popular culture and Pop Art. It was a black and white photograph of the deceased British Labor Party leader painted over with oil. In 1977, Hamilton teamed up with the artist Dieter Roth to produce a series of stylistic paintings entitled Collaborations of Ch. Rotham, in which they adopted several different artistic voices in each painting they produced. Hamilton was commissioned by the Beatles to do the cover artwork for the White Album (1968). He landed the job via a mutual friend and gallery owner. Many of Hamilton’s works are displayed at the Tate Gallery in London, England; The Metropolitan Museum of Art in New York, NY; and The Museum of Modern Art in New York, NY.

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Mr Richard Hamilton

1949, Reaper (j)

1952, Refraction

1958-61, $he

1962, Towards a definitive statement on the coming trends in menswear and accessories (a) Together let us explore the stars

1963, Adonis in Y fronts

1964, A little bit of Roy Lichtenstein for ...

1964, Five Tyres abandoned

1964, Interior II

1964-65, Interior

1965, My Marilyn

1965, The Solomon R. Guggenheim

1967-68, Swingeing London 67 - poster

1968, The critic laughs

1968-69, Swingeing London 67

1972, No title

1972, Dimensional data

1972, Swingeing London III

1973-74, Trichromatic flower-piece

1979, Interior with monochromes

1979, Motel I

1979, Putting on de Stijl

1979, Soft blue landscape

1979-70, Fashion plate

1980, A dedicated follower of fashion

1980, Soft pink landscape

1982, Pin-up (1961)

1982, Self-portrait (1965)

1984, Lobby

1984, Mother and child

1985-87, Bronze by gold

1990, Four Self Portraits - 05.3.81

1990, How a great daily organ is turned out

1992, Just what is it that makes today’s homes so different?

1993, The state

1998, Bathroom - fig.2

1998, The heaventree of stars

1998, The marriage

2002, TiT

2004, Just what was it that made yesterday’s homes so different, so appealing?



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